Les Parfums (‘Perfumes’) is a just-released and utterly charming French film following the life of a feared and reclusive ‘nose’, and her troubled realtionship with her new chauffeur.
The English-subtitled film is a gentle comedy, but takes a serious (and very well presented) look at the life of a perfumer, and it has been released in the U.K. Now showing at selected Curzon cinemas, it’s also on Curzon Home Cinema (to stream at home, for those of us not near one of the venues or who prefer to watch from the comfort of our homes).
Curzon Home Cinema says: ‘Anne Walberg (Emmanuelle Devos) is a master in fragrance who has fallen from grace amongst the upper echelons of the perfume industry. However, her skills are still in demand from companies looking to mask the smell of their odorous products. Over the years she has become selfish and temperamental. When she hires Guillaume (Grégory Montel) – a down on his luck chauffeur with too many points on his license and a rocky relationship with his young daughter – they strike up an unlikely friendship. Together they look to repair their lives and create a new signature scent to return Anne to her previous fame.’
There are so few films about perfumers and our sense of smell, and we were thrilled to discover this new movie more than lives up to expectations. Following the rather hapless chauffeur, at first, Guillaume’s first clue to the trials and tribulations ahead with his new client is when she sniffs him, names the brand of his cigarettes and, when he offers her one, throws the packet out the car window. Other clues to her profession (and her character) come when Ms. Walberg demands that he help her change the sheets in a hotel room, declaring: ‘They use a fabric conditioner full of galaxolides for that “clean” smell. I hate it!’
Asked to recreate the smell of an ancient cave to diffuse at a tourist attraction, Ms. Walberg takes Guillaume along with her, rubbing the walls. ‘Mineral, earthy, camphor, touch of moss… Iris root’ she bids him write down in her notebook. Later, she asks him to smell something she’s created on a blotter. He complains that he doesn’t know what it smells of, but she gently encourages him to say whatever thoughts come to mind. ‘Trust yourself.’ Before we know it, Guillaume is in the supermarket, sniffing various shower gels – under the watchful gaze of a bemused security guard. ‘Something quite mellow…’ he says, as the guard shuffles closer, clearly unused to such behaviour in Aisle 5.
The extent of of Walberg’s’ fame is revealed when she smells Dior J’Adore on a waitress and casually tells Guillaume she created it. (In fact, it was composed by perfumer Calice Becker in 1999, but this is a fictional film, after all). Later we learn that, after she became famous with her photo adorning the cover of magazines, she ‘began to lose (my) nose.’ She thought that ‘with my experience of blending I could do it from memory.’ But after making a mistake, her confidence in composing fine fragrance was truly troubled and Devos lost her contract. Her sense of smell came back, but ‘the perfume world is small,’ and so with her reputation struck down in flames, she stuck to smaller, industrial and functional fragrance jobs while avoiding the public gaze.
Suddenly, Walberg loses her sense of smell again. Terrified, she decides to part ways with her pushy agent and, under the treatment of an anosmia specialist – who describes the condition as when ‘The nose and the brain stop working together,’ she begins her journey back into the fragrance world. But can this chauffeur with ‘a good nose’ actually help her recover her reputation and heal his own life…?
Les Parfums is a wonderful evocation of that joy of sharing a love of fragrance, of watching someone develop and explore their own sense of smell. And it’s also a healthy reminder that anosmia – losing one’s sense of smell – can be a terrifying and life-changing experience, even if you don’t happen to be a perfumer. A gentle film that’s slow in pace but nonetheless completely gripping because of the sensitive character portrayal by the two leading actors, there’s some stunning shots of the French countryside and those Parisian streets we miss so much, too. A paean to the world of perfume and the gift that is our sense of smell, we say this is a must-watch for anyone who loves fragrance.
Now we’ve caught your interest, watch the trailer, below, and allow yourself to fall for Les Parfums’ charms…
Fragrant inspirations are diverse as the perfumes composed for them, but we’ve noticed a particular leaning toward the arts – literature, painting and music – in recent years. Walden Perfumes are no exception, the house being named after Henry David Thoreau’s seminal work and the fragrances themselves inspired by certain passages within it.
Walden was written partly as a guide for meditation, and can be seen as a handbook ‘…for simple living in natural surroundings.’ Fittingly, the fragrances are 100% natural, and each carries a quote on the back of the box, a creative whisper of suggestion as to the perfume inside. And we couldn’t wait to browse their fragrant library…
Soaringly beautiful, a mega-hit of ylang ylang swoons into a buxom bouquet of iris and jasmine garlanded in swags around amyris and oodles of tonka bean. Finalist for ‘Best Natural Beauty Product’, Natural & Organic Awards Europe 2017, this is a creamy, dreamy, romantic delight. A Little Star Dust, £40 for 50ml eau de parfum
An intriguing melange of the freshly zesty and totally tropical, citrus bursts forth with all the sparkle of a just-poured cocktail, exotic flowers dancing in the breeze with cool, herbaceous lavender. Like a joyous celebration of the sunshine and the shade, this twirls exuberantly. Castles in the Air, £40 for 50ml eau de parfum
A frolic through a forest of wild flowers, roses climb and tumble through boughs of trees as jasmine entwines the branches and iris goes native in the shady nooks. Sliced through with shards of bergamot citrus like sunlight appearing through the verdant canopy above, it’s perfect for summer. Two Eternities, £60 for 50ml eau de parfum
Capturing that petrichor scent of just-after-the-rain freshness when the world seems to pause and breathe a sigh of relief, the sharpness of petitgrain is followed by a cool heart of earthy vetiver and a whisper of patchouli swirled amongst the creaminess of amyris. The Solid Earth, £50 for 50ml eau de parfum
Opening with a spicy kick of black pepper, this is woody all the way up to 11 with warm amber tingling the senses in the heart of cedarwood followed by a smooth flourish of resinous amyris segueing to freshly sharpened pencil-ness of sandalwood. Vigorous yet comforting. A Different Drummer, £50 for 50ml eau de parfum Walden Natural Perfumes are available at lovelula.com
Perhaps literary-inspired perfumes highlight our need to not necessarily simply escape to a wonderland in troubled times, but to use artistic measures to put them in context and reflect? Whatever the aim, we cannot help but be thrilled that finally, perfumery is being seen once again as an art form to rejoice in!
Written by Suzy Nightingale
We’ve all done it. Clung like a limpet to a favourite fragrance because a loved one told us we smelled wonderful, or we happened to be wearing it on a particularly auspicious day and have come to believe it was blessed by the gods – but would you wear your favourite outfit every single day, whether rushing to work, attending a glamorous party or travelling to an exotic location in? You might adore a particular food, but would you want to eat the same meal for the rest of your life?
There’s nothing wrong in having a ‘signature scent’ per se – something you’re known for wearing and family members can smile as they smell – but constantly wearing the same fragrance can mean you get so used to it that you actually stop smelling it properly. Your nose becomes so attuned to that same old scent that it ‘skips’ over those once-glorious notes and moves on to more exciting things in your environment.
Perhaps you’re a little nervous about what to try – the choice these days can be completely overwhelming (even for us!) so you have our sympathy. But never fear. We have an ingenious way of gently nudging you out of your comfort zone and in to a whole new world of fragrant discoveries…
There’s no need to ditch that favourite altogether – simply type the name of it in to our Fragrance Editor program (named FR.eD for short) and it will whizz through thousands of possibilities to pick six new perfumes for you try!
The really clever thing is, these aren’t merely based on similar notes to your favourite fragrance, but emotions and words used in the briefs perfumers were given when creating them.
There’s a brand new favourite – maybe even several scents – out there with your name on it, just waiting for you to take the first spritz…
Whatever you choose, everyone here at The Perfume Society wishes you a very Happy New Year!
Written by Suzy Nightingale
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