‘The Dior Couture Collection transforms landmark pieces into exquisite biscuits, bakes and fancies. From the Junon Dress worn by Theo Graham at Le Pré Catalan in Paris 1949 to the Bar Jacket which has been synonymous with Dior since it took to the catwalk in 1947 as part of the ‘New Look,’ each piece this season takes inspiration from Dior’s fashion history.
Your tea also includes a flavoursome collection of miniature savoury skewers, taster spoons, elegant canapés and tea sandwiches. To drink, choose a loose leaf tea from our extensive collection…’
Or you could go all-out and add some bubbles to the perfumed proceedings – a special treat for their Mother’s Day sitting on March 31, perhaps – or simply a way to celebrate the scents and treat yourself?
Prêt-à-Portea is priced at £60.00 per person.
Champagne Prêt-à-Portea, with a glass of Laurent-Perrier, £70.00 per person.
Signature Mocktail Prêt-à-Portea, with a glass of a refreshing Mango & Rooibos mocktail, £70.00 per person.
Couture Champagne Prêt-à-Portea, with a glass of Laurent-Perrier Rosé, Bollinger Rosé or Ruinart Blanc de Blancs, £76.00 per person.
This menu will be refreshed every six months, to reflect the catwalk trends, but right now we’re salivating over the thought of the rose pink Miss Dior cake and the Muguet pavlova, both directly inspired by the perfumes… Perfume and cake, could it honestly get any better?
‘Perfume is the indispensible complement to the personality of women, the finishing touch on a dress.’ – Christian Dior
Showcasing couture gowns worn by Princess Margaret, Margot Fonteyn and Jennifer Lawrence, in Christian Dior: Designer of Dreams, the V&A has opened the world’s largest exhibition ever staged in the UK on the House of Dior. We went to gawp at the gowns, and of course, to swoon at the scent bottles…
How telling that – amidst room after room of sumptuous designs and rainbow walls of vivid colours, unless one peered at the labels – it was practically impossible to accurately date the array of garments and accessories. And how welcome that so many iconic fragrances are displayed as part of the overall design aesthetic of Dior.
‘The exhibition highlights Christian Dior’s total design vision,’ explain the V&A, ‘encompassing garments, accessories and fragrances. Flowers are emblematic of the Couture house and have inspired silhouettes, embroidery and prints, but also the launch of Miss Dior in 1947, the first fragrance created alongside the very first show.’
Fragrance and fashion have always gone hand in (scented) glove, but never more so than with Dior. No designer has simultaneously launched a new brand new fashion line and a fragrance. It was an audacious act that marked their groundbreaking, breathtaking course to this very day.
Lined-up in cabinets, perched on plinths or variously housed within a stand resembling a miniature palace; the Dior fragrances are shown as being vital to the overall development of the house, and their continuing success shows how warmly we have clasped the scents to our (in our dreams) Dior-clad chests.
Arranged into eleven sections, the exhibition traces the skill and craftsmanship of the ateliers, along with highlighting many of the designers who have worked under the Dior banner, always pushing the boundaries while keeping an elegant insouciance that remained true to Dior’s ethos.
Noses pressed against the glass, oh how we would have loved to smell some of the originals – an impossible task at such a large exhibition, of course, but merely gazing at the original sketches for the bottles, a saved invitation from that orginal fashion and fragrance launch, and the most lust-worthy flaçons you’ll see all year – it’s enough to transport most of your senses. We advise wearing your favourite Dior fragrance and inhaling deeply as you get giddy with the glamour of it all…
Christian Dior: Designer of Dreams runs from now until 14th July 2019, with tickets from £20. All concessions £15.
We highly advise booking your tickets now, as a day after opening they were sold-out until April. Even so, believe us, it’s worth the wait.
For the launch earlier this year of their so-sophisticated 1927 fragrance, Floris gathered together a curated group of guests to 89 Jermyn Street to celebrate the inspiration for the latest in their Fragrance Journal series, with two very special women discussing the rich and intertwined histories of fashion and fragrance… and we were thrilled to be present!
Scroll down to watch part of their fascinating conversation, and read our review of this stunning scent…
Dissecting nearly 100 years of social history in London, fashion historian, TV presenter and author Amber Butchart, former Vogue editor, author and journalist Alexandra Shulman, Floris Perfumery Director Edward Bodenham and Head of Marketing Alex Oprey explored how to bottle a moment in time. And now, Floris have released a video so you can watch along.
As part of their Fragrance Journals series, Floris created a very special time capsule, but exlained they wanted to make sure it smelled current and totally wearable for today – these are no museum pieces, but living homages to eras that have changed our world forever. The end of the 1920’s marked revolutionary new fashion movements, especially for women – cutting their hair short, smoking, dancing, partying all night and wearing loose-fitting, calf-length or shorter dresses that flirted with scandal.
Floris say: ‘The Fragrance Journals are a series of unique Eau de Parfums, capturing the heart and soul of London throughout the decades of the 1960s, 1970s and 1980s and most recently the 1920s.
Each fragrance weaves and knits its way through the fabric of a key moment, district, and culture of the time, bringing out a true reflection of a city which has the ability to both adapt to change, yet remain rooted in its identity. A love letter to London, its social fabric and its people.’
Read on for our fragrant review…
1927 kicks off with a swing as aldehydes burst like champagne bubbles into bergamot, and we can almost hear the giggles as cocktails are carried to the drawing room. Bright Young Things in barely-there bias-cut silks swing their pearls, violet, ylang ylang, narcissus and mimosa sashay their way to dancing on the tables – and an oakmoss-like, vanilla-musk base adds to sophisticated high-jinks. £140 for 100ml eau de parfum florislondon.com
Yves Saint Laurent was a ground-breaking designer who delighted in shaking up the mainstream, always in his stylish and undeniably sexy way, with this ethos effortlessly transferring from fashion to fine fragrance.
Producing several of the best-selling perfumes of all time, with stunning bottles that have become collectors items in their own right; not many fragrance houses can claim to have a founder who dared pose naked for his own fragrance advertising campaign, because ‘perfume is worn on the skin, so why hide the body…?’
It all began at the tender age of seven years old, when Yves Saint Laurent began designing clothes for his sister’s dolls, expressing a natural talent and indulging a dream of a career in the glamorous world of fashion design. A deacde later, and he’d enrolled on a graduate fashion course at college, winning both 1st and 3rd prize in the prestigious International Wool Design competition at only 18 years old. His talent was showcased to the world and a young Saint Laurent was offered the role of haute couture designer for the House of Dior. A dazzling debut, interrupted by a brief period of national service in the army, led Saint Laurent to opening his very own couture house, still aged just 21, and enabling him to truly express his fashion expertise.
1962 saw the dawn of the Yves Saint Laurent brand and his masterful couture creations for the rich and famous. But clothing was never the only way Yves Saint Laurent wanted to dress women – in 1964 he created his first fragrance, Y, a collaboration with perfumer Jean Amic. It was an olfactory expression of the elegance and luxury of his couture fashion – a fragrance tailored for the beautiful women he dressed. In its original packaging, the green chypre juice was housed in a bottle cut to reflect the silhouette of a woman’s head and shoulders. The letter ‘Y’ cleverly placed to represent the neckline on her dress.
In 1971 Yves Saint Laurent continued to shock when he launched his first fragrance for men, Pour Homme – posing nude for the visual, in stark representation of the values of the Yves Saint Laurent House, comfort and sophistication coupled with modernity and audacity. In the same year, he created a fragrance for the independent, free-spirited woman who shopped at his new boutique: Rive Gauche. At a time when fragrances were presented in classically feminine bottles, best stored on the dressing table at home, it was the first fragrance to be launched packaged in a tin can!
In 1977 Yves Saint Laurent wanted to glorify another facet of YSL femininity; sensuality and seductiveness – and women the world over were seduced by YSL’s Opium . An opulent swathe of oriental ambers and vanilla by perfumers Jean Amic and Jean-Louis Sieuzac, this audaciously-named fragrance sparked immediate controversy. As the scandal and the hype grew so did demand. Global press took straight to the newsstands to criticise Yves Saint Laurent’s determination to shock, but scandal only served to fuel desire; testers were stolen, posters were ripped down and stores sold out of stock in a matter of hours on the launch date.
Fast-forward to 2014, when the latest reinvention of the YSL woman was launched in the form of Black Opium, composed by four master perfumers (Marie Salamagne, Nathalie Lorson, Olivier Cresp and Honorine Blanc), with an overdose of black coffee accord to instantly invigorate the senses, contrasting with voluptuous white floral heart notes and a gourmand vanilla base.
The following year, Black Opium scooped Best New Fragrance for Women in the UK’s prestigious Fragrance Foundation Awards – and since then, the fragrance has acquired countless ‘collectors’, thrilled by limited editions and new ‘spins’ on this smouldering scent.
There are few people who’ve not owned and loved an Yves Saint Laurent fragrance, or who don’t have one of these – classics and modern must-haves alike – in their collection. We’d be hard-pushed to pick a favourite… so, we wonder, what would yours be? And while you’re pondering which perfume to choose, you can read all about their history in more detail on our page dedicated to Yves Saint Laurent…
Some might argue there’s a tendency for some fragrance houses to take themselves a little too seriously at times, but that accusation could surely never be levelled at Moschino! From bottles shaped like cleaning products to ones resembling Popeye’s gal pal, Olive Oyl, here we take a little look at their irreverant style…
It’s Jeremy Scott we have to thank for bringing back the fun into fragrance. Creative Director for Moschino, he infuses each scent with his own cartoon-like and cheekily mischevious personality – that exuberant, larger-than-life character seen across his fashion and accessories line, carried directly through into the Moschino fragrances themselves.
Scott delights in turning conventions on their head, and thus we see burger brands proudly emblazoned in patterns on sweatshirts, huge badges of retro-style, imediately recognisable advertising logos raised up to become iconic emblems in the fashion world. It follows, then, that Scott is the chap responsible for putting fragrance in traning shoe shaped bottles, inside teddy bears and even cleaning fluid type containers that might look more at home under the kitchen sink than on your dressing table.
Which scents should you seek out, and are you even saying their name correctly?! Read on for our guide to Moschino…
– Moschino is pronounced‘moss-keen-oh‘ (impress your friends who continue to say ‘mosh-sheen-oh’!) Listen to the clip, below, for further help…
– The brand was founded in 1983 by the late Franco Moschino (1950–1994), immediately standing out due to their eccentric, vibrant designs.
– Moschino is split into three sections: Moschino (Mens & Women’s fashions), Moschino Cheap and Chic (a sub-section of their womenswear), and Love Moschino (previously called Moschino Jeans). Fragrances are influenced by all three sectors.
– The first ever Moschino fragrance, Moschino For Women, was introduced in 1987 and since then there have been many iconic additions, including the latest Moschino Fresh Gold Couture (exclusive to The Perfume Shop), and the charmingly bonkers bottle of So Real Cheap and Chic Moschino.
– Moschino designed the outfits for the opening ceremony of the Turin 2006 Olympics.
– In October 2013, Jeremy Scott became Creative Director of Moschino, showing his first collection in the Autumn of 2014.
– 2014: the first time a teddy bear had masqueraded as a scent bottle. ‘I Am Not A Toy‘ perfume became an instant sell-out, drawing a queue which stretched round the Knightsbridge block. The bottle’s cuddly appearance belies the sophistication of what’s inside – but that element of surprise is typical of Moschino. You remove the teddy’s head to reveal the spray – and enjoy citrusy woody-floral top notes of juniper, mandarin, bergamot and spicy cardamom. Violet, hawthorn petals and lavender come together in its floral heart, and as the fragrance is skin-warmed, the base elements of cedarwood, sandalwood and vanilla beans develop a very huggable warmth.
– Fresh Couture uplifts with zesty mandarin and bergamot, before a raspberry juiciness and rich ylang ylang accord sweep in, adding intrigue. Delicate notes of osmanthus and white peony give away to an inviting accord of cedarwood, ambrox and white patchouli, in the dry-down. If that’s not enough to make you smile, the advertising campaign featured legendary supermodel Linda Evangelista in the role of most glamorous cleaning lady, ever.
– Scott’s Spring/Summer 2016 collection for Moschino featured bags in the shape of traffic cones, with a dress like a giant yellow feather duster, while the Spring/Summer 2017 show was a life-size collection of paper doll clothes. Fabulous!
– Many people collect Moschino perfume bottles, including the mini sizes. We are thrilled to offer you THE cutest miniature size of Moschino Pink Fresh Couture in a dinky 5ml bottle as part of the The Travel Edition Discovery Box. Featuring zesty pink grapefruit with succulent blackcurrant, floral notes of lily of the Valley, pomegranate, rose and pink hyacinth float cheekily atop a softly musky base that begs to be nuzzled.
– Some of the world’s best perfumers have got their noses into Moschino fragrances over the years. The line-up is a vertiable Who’s Who, and includes… Olivier Polge, Alberto Morillas, Nathalie Lorson and Olivier Cresp.
– For their latest launch, Cheap & Chic So Real, Moschino have once again drawn on the cartoon character of Olive Oyl for inspiration – and this has to be the most bonkers of those bottles yet! Olive Oyl’s been travelling the world, collecting awards and attending select soirées, they explain, now ready to make her 2018 appearance in an exclusive Moschino dress designed by artistic director, Jeremy Scott. The fragrance inside’s as cheeky as her outfit: bright, bitter orange cooled with a kiss of raspberry, mandarin and blackcurrant sorbet, pink peony, jasmine petals and magnolia blossoms irresistibly tumbling to a soft woody base. Adorably bizarre, the bottle’s already being snapped up by collectors, we hear…
Count Hubert James Marcel Taffin de Givenchy – little wonder he simply became known as ‘Givenchy.’ The esteemed couturier died on Saturday at the age of 91, with French President Emmanuel Macron saying that, ‘France has lost a master. A master of elegance, creation and invention, a master of his culture and ambassador of this spirit of liberty and audacity.’
Famed for dressing the most glamorous stars, from Audrey Hepburn and Princess Grace of Monaco to Jacqueline Kennedy Onassis, they were counted not only as clients, but friends and admirers of his exquisite work.
Indeed Givenchy was much admired, and it’s been noted that ‘it didn’t hurt’ he was blessed with strapping height (6ft 6) and elegant good looks along with his natural talent and quiet charm. Creator of the famous ‘little black dress’ his muse Hepburn would wear in Breakfast at Tiffany’s – his name became legendary in his own lifetime and (just like his fashions, perfumes and makeup) will echo through the ages.
As early as 1957, Givenchy was already creating fragrances – declaring them a woman’s ‘finishing touch’, when getting dressed. In 1958 – at a time when perfumes didn’t have ‘faces’ – he created a revolution by asking his friend Audrey Hepburn to be the star of the advertising campaign for L’Interdit: the very first time that a movie star had appeared in a perfume advertisement.
Our co-founder, Jo Fairley, had the pleasure of meeting the man himself, interviewing him at the launch of the first Givenchy makeup line in ’91, and recalls with a smile that ‘Hubert de Givenchy is probably the most charming and graceful man I’ve ever met.’
Today, within Givenchy‘s perfumed portfolio, you’ll find something for every fragrance-lover. The classic Véry Irrésistible, for instance – created by celebrated ‘noses’ Dominique Ropion, Carlos Benaïm and Sophie Labbé – was launched in 2003, showcased in what has become an iconic sculpted bottle. Then the feminine scent had its floral notes melded with vanilla in the Véry Irrésistible Eau de Parfum – and the rose elements played up in Véry Irrésistible L’Eau en Rose.
For further reading and to learn more about Hubert de Givenchy’s incredible life, turn to our page dedicated to Givenchy and in the meantime, we urge you to seek out one of the many fabulous fragrances and take a moment to appreciate his legacy…
Mischeviously irreverant Etat Libre d’Orange were the fragrance house megastar fashion designer Roland Mouret chose to collaborate with on his first fragrance – Une Amourette.
We went along to a private launch in Mouret’s flagship Mayfair boutique to find out more, and it’s every bit as fabulously naughty as you might hope…
It may not be the first fashion designer/fragrance house collaboration, but it’s definitely the only one we know of where the designer suggests spraying it between your thighs! Mouret explains: ‘A seductive fragrance – it’s a powerful scent that makes and leaves its mark as you move. You’ll want to wear it at the pulse point between your thighs and as you walk, cross your legs… the warmth and friction unleash an aroma that will capture your attention through the most primitive sense : smell.’
Well, we can’t say we followed this advice at the launch itself (a fragrance ritual probably best undertaken in the privacy of your bedroom, we feel) but it’s a rather compelling suggestion and we may have to try this for ourselves. Courtesans were well known for employing similar scent-seduction tactics in the 18th Century, so perhaps it’s about time we gave it a go. Roland Mouret say: ‘Infusing the sweet smell of neroli essence with traces of cardamom, this sensual fragrance opens with spicy notes of pink peppercorn, before revealing an earthy undertone of patchouli oil enriched with vanilla, that gives this fragrance a tantalising fin.’ Intrigued? Why not watch the man himself explain more, as Roland Mouret talks about working with Etat Libre d’Orange…
Talking to Roland at the launch, he went on to explain that he wanted Une Amourette to smell like ‘the scent of the other [your lover] on your skin…’ We may have blushed. But what a perfect juxtaposition – the mingling of two people’s warm skin, along with a Cologne and a decadent perfume, in one scent. Mouret also talked about the scent memories of his childhood, growing up in France, the smell of chic people mingling with voluptuous bouquets of flowers and drifts of incense from the churches he attended.
On the more usual pulse point to test perfumes – our eager wrists – then, here’s how it smells:
It begins like a lover’s caress, the sense of entangled sheets and warm skin, unmistakable carnality with indolic white flowers and roses scattered across the bed. Bone dry, the spices make their presense known immediately, with cardamom lingering throughout and a peachy succulence and creamy vanilla peeping above the naughtiness, somehow rendering them all the more provocative, like a glimpse of bare flesh beneath velvet coverings. A cool breeze of iris feels infused with a metallic shimmer, and the opoponax (incense) smooths the way insouciantly for an animalic dry-down of akigalawood that lasts the whole day through. Roland Mouret Une Amourette by Etat Libre d’Orange from £82 for 50ml eau de parfum
Buy it at rolandmouret.com
Written by Suzy Nightingale
Few contemporary fragrances have shaken up the scent world in quite the way Calvin Klein‘s Obsession did in 1985. Youthfully warm, spicy yet layered with waves of freshness, it evoked the heady joy of first love in a style that suggested to the under 30s – this is a perfume for YOU!
Celebrating the reinvention of this contemporary classic in the form of Calvin Klein’s Obsessed, the fragrance has been reinterpreted for both men and women, with a billowing softness of violet leaf, lavender and purple sage for her; grapefruit, pepper and cardamom for him. Both leave intriguing trails of vanilla-y ambrox in the dry-down that we can’t get enough of.
And what better true celebration for the new campaign than to dig through the archives and discover lost footage and the most dreamily beautiful shots of Kate Moss from the original? As Raf Simmons, Chief Creative Officer for Calvin Klein explains, ‘I suppose you could say we were obsessed by Obsession. If one thing summed up Calvin Klein for us visually, it was Mario Sorrenti’s Obsession campaign with Kate Moss. It lived in our heads for so many years and became a touchstone of sensuality… We thought about a scent that could reflect such an idea of memory and desire for today. Of male and female, of the memory of somebody else on your skin.’
A revealing interview with the equally ground-breaking photographer of Obsession, Mario Sorrenti, shows tenderness, passion and talent combined to make not only the scent itself, but the adversiting aesthetic for it, utterly iconic…
What was the creative process like for OBSESSION?
‘It was very natural and instinctive, just Kate and me going off and making pictures. I had a Bolex and my Pentax, and even though we were sent there to work, it felt like we were on vacation. It was personal and intimate.’
What was it like working with Kate at that time? How would you describe your relationship?
‘It was great. We were young and in love and I loved photographing her. When we did Obsession she was 18 and I was 20, just starting out in our lives with no pressure about anything. We were just going off and having fun.’
Why do you think Obsession became such an iconic campaign?
‘I have no idea! I don’t know why it became iconic, it just did. I didn’t really approach it with the intention of taking iconic pictures. We didn’t know what we were going to do. We were just going to make something intimate and beautiful and simple. Looking back, maybe it became iconic because it was honest.
All of a sudden people were going crazy about it. It became very controversial. Some loved it and others hated it. Maybe it was too personal for some. The ones that loved it were mostly our age. It was very intense.’
What is the concept for the Obsessed campaign?
‘It’s about revisiting those pictures and bringing them back as memories. There was a lot of material that hadn’t been used and had never been seen. Hours of 16mm footage. It’s about the old prints, that archive of work, going through old contact sheets, re-editing, discovering new images, you know, reliving that time and those photographs and films.’
How has your creative process changed from then to today?
‘It’s changed a lot. Well, I have more people helping me now—that’s amazing—and it’s much more focused. Back then it was very instinctive. I was still learning a lot about photography, you know, about the art and the craft of it. I was very naïve. I think today I’m much more aware of what I’m doing…’
Calvin Klein Obsessed for Women £35 for 30ml eau de parfum, Calvin Klein Obsessed for Men £45 for 75ml eau de toilette
Buy them at The Perfume Shop
Written by Suzy Nightingale
Imagine a room stacked with the most precious perfume bottles in the world – crystal flacons glinting and variously dipped in gold, lavished with gems, painstakingly enamelled or perhaps a revolving perfume carousel. Such visions are not merely scenes torn from Marie Antoinette’s diary; for once a year, perfume lovers, collectors and dealers from around the world gather to not only marvel at the impeccable selection, as you might in a museum’s display; but to bid on them and take them home….
Having fallen madly in the love with the extremely rare 1928 Parfums de Marcy, trompe l’oeil presentation “Le Bracelet Miraculeux,” – five scents disguised as an art deco bracelet [see above], which sold for $33,000 (a teeny bit out of our price range, sadly…) we knew they would be special – but these are above and beyond.
This year, the Perfume Bottles Auction will take place at 5pm on Friday, May 5th at the Hyatt Regency in Princeton, New Jersey. We’re aware many readers possibly wont be able to make it there in person, but we absolutely guarantee you’ll want to feast your eyes on the sumptuous bottles as we take a look at some of the highlights submitted thus far. The auction catalogue hasn’t even yet been printed, so we were thrilled they were kind enough to get in touch and ask if we’d like a sneak peek.
Well yes. Yes, we would.
The Perfume Bottles Auction is directed by Ken Leach; each year he seeks out the most desirable and unique perfume bottles. This highly prestigious event is the longest running specialty auction of perfume bottles worldwide, and takes place during the annual three-day extravaganza for perfume bottle lovers annual International Perfume Bottles Association convention with the field’s leading dealers featuring thousands of bottles and an internationally recognized auction.
The convention draws together collectors and dealers from around the world, and this year features 250 lots to tempt prospective bidders. Simply put, each item is fabulous and lust-worthy, so it’s hard to pick a favourite, but some of our choices to watch (or bid on, should the fancy take you!) are as follows:
This elaborate French 1820s Charles X Palais Royal perfume carousel made of gilt bronze mounted on an abalone shell with Baccarat cut crystal bottles is estimated to sell between $10,000 and $20,000.
Perfume bottle made by Baccarat in 1926. Made for perfumer Godet for the “Petite Fleur Bleue” fragrance. The crystal bottle is in the shape of a woman’s skirt, while the frost stopper with grey patina perfectly depicts a woman holding flowers. Estimated to sell between $5,000 and $6,000.
Perfume bottle “Gros Fruits” designed by Rene Lalique in 1919 and was available for purchase at Maison Lalique. The detail of plums on the bottle is molded in high relief and colored by grey patina. Estimated to sell between $10,000 to $15,000.
1920s Czechoslovakian “nude dauber” perfume bottle by Heinrich Hoffmann. The bottle is mounted on gilt metal
and decorated with faux jade crystal. The bottle is topped with a frosted
glass medusa medallion. Estimated to sell btw. $5,000-$7,000
UK based collectors and anyone enthralled by the world of fragrance bottle art will be glad to know here is also a UK branch of the organisation, and you can find out more about their activities at ipba-uk.co.uk
Ken Leach is currently accepting consignments for the 2017 auction to be held in Princeton, New Jersey.
Written by Suzy Nightingale
London-based artist Sarah Baker is fascinated in the cult of celebrity, depictions of glamour and the extravagent shoulder-pads-at-dawn dramas played out in American soap operas. Though Baker’s career has thus far mainly revolved around making her own films, in to this heady mix of art and film she wanted to weave another layer of storytelling – this time through the medium of scent.
Working with the prestigious Institute of Art and Olfaction in Los Angeles, Sarah Baker began to develop her own perfume line, collaborating with renowned perfumers, with Baker overseeing production from her East London Studio and the four fragrances finally launching at a decadent art show/party in December. Says Baker, ‘Each perfume is inspired by luxurious fashion motifs that evoke lavish scenes; while gazing at the printed bottles and smelling the perfumes, one could, for instance, be instantaneously transported onto the deck of a yacht in the Mediterranean….’ Sarah Baker Perfumes take us on a journey from the fizzing ozonic freshness of grapefruit and hedoine’s cooling breeze in Greek Keys, to the frankincense, florals and castoreum ferocious animalic growl (underpinned by fuzzy fur) in Leopard. Taking a softer turn, we have milky musk, coconut, vanilla and an ambrox sexiness of bare skin glimpsed in Lace; finishing with the full-on smokiness of open fires, heather-strewn hills, leather, hops and tobacco of Tartan. An eclectic and genuinely evocative collection, the Greek Keys and Leopard were made by perfumer Ashley Eden Kessler; Lace and Tartan by 4160 Tuesdays very own Sarah McCartney. At once enlivening, challenging and comforting – they are all a true feast for the senses. Sarah Baker Perfumes are currently £60 for 50ml eau de parfum, and available at sarahbakerperfumes.com
The worlds of film, fashion and fragrance are set to collide this Saturday, with the showing of Baker’s 2013 film Impirioso – the story of a wealth and fame obsessed fashion heiress who murders her husband when he sells the family fashion business, in the style of an ultra-glam 80s mini tv series.
And vital news for fragrance fanatics – you’ll be able to smell all the perfumes following the film. Sarah Baker explains that, in fact, ‘…Impirioso is actually the artwork which inspired me to make perfumes. It’s not about perfumes at all, it’s about a woman who murders her husband (based on Patrizia Reggiani) . Instead of using Gucci documentary/biopic-style I created a fake fashion brand “Rocco Rosso” and with it the logo and costumes, hats, home wares. It inspired me to finally make a real product, I had always wanted to produce a perfume, and that’s when I started working with Saskia from Institute for Art and Olfaction.’
You can watch the trailer for the film by clicking here…
After the screening you’ll be guided across the road to Storefront – the installation where Baker’s perfumes are displayed, for smelling, wine and chats. It all sounds gloriously glamorous, and, even better – tickets for Impirioso are FREE, but booking is required. The Hat Factory Arts Centre,Luton Saturday 14 January 4.30pm
Trains run regularly from St Pancras Station and it’s a 1 min walk to the screening from Luton Station.
Written by Suzy Nightingale
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