Issey Miyake – a fragrant tribute

It was with great sadness that we learned Issey Miyake had died today, August 9th, 2022, at the age of 84. The word ‘iconic’ is often attributed to designers and fragrances alike, but rarely have we seen such a designer who seemed to effortlessly span both worlds, becoming legendary in his own lifetime while greatly contributing to the innovation of each.

Known for his masterclasses in ‘simplicity’ (in fact, so intricately designed fabric seemed to want to naturally fall in the shapes he sculpted from them), the fragrances from the house of course followed suit – these are scents that seem to drape the skin in softness, nature tamed to match his purity of vision within each perfume.

 

 

 

The most beloved of these has to be L’Eau d’Issey, first launched in 1992, with Jaques Cavallier composing a seamless silkiness via a silvery ripple of aquatic notes – Miyake’s inspiration being a scent that smelled ‘as pure as a waterfall’ – atop delicate, dew-dappled blossoms such as lotus flowers and powdery peonies.

Even the bottle has become iconic in its own right, for the design of which, say Issey Miyake Parfums, ‘he imagined a sharp and slender silhouette, whose lines recall a suspended drop. The metal cap, topped by a ball, evokes a personal memory: a night in Paris where the moon was shining at the top of the Eiffel Tower.’

 

 

For L’Eau d’Issey Homme, meanwhile, which launched in 1994, Cavallier crafted an herbaceous breath of fresh air that floated freshly crushed leaves of lemon verbena, tarragon and sage within a wave of juicy citrus; notes of water lilly melding with a misty woodiness that married this more masculine version with that of the original fragrance. Again, a scent that wasn’t just ahead of its time but feels timeless to wear.

Juxtaposed with the tail-end of those shoulder-pads-in-a-bottle fragrances that had swaggered their way through the 1980s, it was clear (as a waterfall) that Miyake had drawn a line under excess, marking a new era of paired-back perfumes that still resonates and feels fresh to this day.

Our Co-Founder Lorna Mckay spoke about his innovation, and more than this, the importance of Issey Miyake’s vision of truly entwining the worlds of fragrance and fashion:

‘Issey Miyake was an icon of cool and creativity in fashion AND fragrance. L’Eau d’Issey was groundbreaking in 1992 for its fresh aquatic smell in a simple and stunning bottle, reflecting water and waterdrops as well as being a “uniscent” fragrance loved by so many. His fine Japanese culture resonated with so many people looking for something different from the hedonistic culture of the 80’s. So many happy memories… and I am still a fan of wearing the fragrance and clothing today! Thank you Issey Miyake for your stylistic contribution to the world of fragrance and fashion.’

Fellow Co-Founder Jo Fairley had the honour of being present at the press launch of L’Eau d’Issey, meanwhile, and recalls:

‘It was a pinch-me moment as a fragrance writer to be at the very launch of L’Eau d’Issey, at a breakfast event hosted in the basement of Issey Miyake’s store in Brompton Cross. Perfumer Jacques Cavallier was there, as was the hugely inspiring Mr. Miyake himself, and what we smelled was like nothing that had gone before. Airy, liquid, seemingly ephemeral, it lasted on the skin: cool, woody, truly gender-neutral – and in the most exquisite bottle. Issey Miyake proved that less really can be more…’

 

 

 

 

As for tributes, we can think of none more fitting than to wear one of the Issey Miyake fragrances you love most, or perhaps to seek one out and try it for yourself if you’re yet to discover them. We’re certain they will still be talked about, worn and treasured for many years to come.

Written by Suzy Nightingale

Manfred Thierry Mugler 1948 – 2022 Written in the Stars

Legend has it that before he became famous, the artist, ballet dancer, designer and all-round creative visionary Manfred Thierry Mugler, once visited a fortune teller. So the story goes, she gazed intently at his palm and noted the lines formed a star. Telling him to incorporate the shape in all his designs to ensure his success, he did as she suggested and, well, the rest is history. Whatever the truth of this tale, the star emblem can be found woven throughout the cosmos Mugler created, and forms the shape of what continues to be one of the best-selling fragrances of all time…

Manfred Thierry Mugler died at the age of 73, on January 23rd. Shockwaves have rippled through the fashion and fragrance worlds alike. A message posted on the official Mugler fashion house Instagram account read:

‘It is with deep sadness that the House of Mugler announces the passing of Mr Manfred Thierry Mugler. A visionary whose imagination as a couturier, perfumer and image-maker empowered people around the world to be bolder and dream bigger every day.’

On the catwalk, Mugler’s designs might burst forth in a froth of feathers and acres of pastel tulle, cocooned in form-fitting armour and cinched-in waspie waists or swathed in fetishised, curve-accentuating fabrics on gleefully strident fembot style models. Never expected, always extraordinary, his clothes were vibrant, unapologetically fun and totally unforgettable.

Mugler was also the man behind countless signature looks of celebrities – including outfits for the Too Funky music video by George Michael and Demi Moore’s dress in the 1993 film Indecent Proposal. He also dressed the likes of Grace Jones, David Bowie, Celine Dion, Kate Moss and Diana Ross, with Ross paying tribute to him on Twitter, writing: ‘I will miss you Thierry Mugler this was a wonderful time in our lives.’

Mugler designed costumes for Beyonce’s I Am… World Tour, and the iconic singer paid tribute to Mugler on her official website, posting a black and white picture of the designer with the words ‘Rest In Peace’ above; while Kylie Minogue posted a comment on his Instagram, saying: ‘Deepest condolences (heart emoji) A true visionary. Thank you for your art Manfred.’

Thierry Mugler Angel

His art didn’t stay put on the catwalk, or in high-end clothing boutiques. It burst free again in the massive way his fragrance, Angel, shook up and forever changed the fragrance industry.

What makes an iconic fragrance? To bring about a scented shift, to become a true icon, it can never be a ‘me-too’ crowd-pleaser, it must do something new, take risks. Those ‘classics’ we revere and nod sagely at nowadays were once the punk rock of the perfume world. Angel was an olfactory ‘shock’, when it launched in 1992 – causing a sensation. It was also, crucially, given the gift of time.

In the early 1990’s the fragrance world was all about beachy, clean aquatic scents (now making a comeback in a new wave of water-inspired releases), so the emergence of a brashly swaggering, chocolate-dipped fruity funfair-inspired concoction was all the more shocking.

It should be noted that Angel wasn’t an immediate success. Indeed, one wonders if it had been launched in today’s more impatient marketplace if it would have been allowed to survive that first year. Thank goodness Mugler had the vision to stick with it, and Angel waited until the world caught up with what was the first true ‘gourmand’ or food-inspired fragrance.

To create Angel, Thierry Mugler approached Jacques Courtin-Clarins, head of the celebrated Clarins skincare and fragrance empire. Having revolutionised the world of fashion, the designer was seeking a partner who could bring his brand to life through a fragrance. So Angel was born, with its good-enough-to-eat notes, and an unprecedentedly high concentration of 30% ultra-rich, woody patchouli, added to keep the fragrance from becoming overly sweet.

 

 

The patchouli was the brainwave of perfumer Yves de Chiris, who knew he needed something to counterbalance the heart of sugary confections – the candyfloss, caramel and chocolate – which were inspired by Thierry Mugler‘s vivid, fairy-lit memories of a childhood fairground. Together with renowned perfumer Olivier Cresp, they created something more than a mere perfume.

On his personal Instagram account, Olivier Cresp wrote: ‘Thierry Mugler was a true genius in fashion, photography and shapes in a broad sense. I’ve always been amazed by his ability to project through his many projects, he was a great visionary. 2022 is the year of Angel’s 30 years, so let everyone honour her by staying in touch with her through perfume. Working alongside him was a privileged and unique moment that I am very proud and happy of.’

Thomas Dunckley (a.k.a The Candy Perfume Boy) once wrote about his first experience with Angel, saying ‘The very first time I smelled Angel, right at the beginning of my perfumista journey, I was shocked, appalled and disgusted all at once. Who would want to wear this? I thought. But I kept finding myself coming back to Angel, there was something about her, she lured me in and wouldn’t let me go, I was helpless. I became obsessed and after many sniffs I finally bought a bottle, wore it with pride and didn’t look back.’

In later years Thomas commented that Angel ‘is always the perfume that I come back to, and it’s the only fragrance that I can wear for weeks on end without thinking of anything else.’ He continues:

‘Angel isn’t just your typical perfume, she is a legend, a legend in exactly the same way that N°5 and Shalimar are legends. She’s also not just a legend, she is a fierce vixen and a complete diva.’

As Pierre Aulas, Mugler‘s Olfactory Artistic Director comments: ‘What makes Thierry Mugler fragrances successful? The power of the unexpected, the force of audacity and unbridled creativity’.

Angel will always remain an iconic fragrance, with new generations similarly discovering, being shocked by and eventually falling in love with her. Even if you’d never smelled the scent itself, the bottle will be forever emblazoned in our collective consciousness – one of very few flaçons to be instantly recognisable the world over from its shape alone.

As those in the fashion and fragrance spheres continue to mourn Manfred Thierry Mugler’s death, social media is filled with images of celebrities wearing archival pieces and fans lovingly clutching their bottles – ensuring his name, and Angel’s perfumed presence, will be eternally written among the stars. So, if you’re already a fan, fling caution to the wind and douse yourself in an extra spritz; or, if you’ve never quite dared wear it, now’s the time to don that fragrant armour and swagger-forth, deliciously scented and celestially blessed.

Written by Suzy Nightingale

The fabric of fragrance: perfumes inspired by silk, velvet, suede & linen

The catwalks have been strutted, the #FROW have gasped in delight (or tutted beneath their sunglasses) and fashion weeks in London, Paris and Milan are now in the bag – but perfumers are inspired by fabric all year ’round for their fragrant creations.

Last week we explored fragrances inspired by satin, leather, cashmere and cotton, this week we urge you to reach out and get touchy-feely with fragrances evoking the sensual textures and moods of silk, velvet, suede and linen…

 

 

Oudh-avoiders – do not recoil! This is a delightfully boozy gourmand that’s all silky smooth rum-soaked fruits slathered with cream and sprinkled with spices, so although oudh may be at the heart of each fragrance in the collection, think of it more as an ingredient added for depth and longevity. Interestingly, Amouroud is the latest evolution of the widely respected Perfumer’s Workshop, launched 45 years ago. Deliciously comforting, we’ll gladly be following the Silk Route trail (and wrapping ourselves in this along the way…)

Amouroud Silk Route £166 for 100ml eau de parfum
selfridges.com

 

Like a sweet, balmy breeze rising from the walls of ancient Palermo, the Dolce & Gabbana Velvet Ambrée Musk eau de parfum swathes you in the warm caress of the sun wherever you may be. With a perfectly blended mix of woods and spices, this unique fragrance melds to your skin with sandalwood, tonka bean and aromatic cardamom – a nuzzle of delight to bury your nose in (and equally divine on any sex who dares to wear it).

Dolce & Gabbana Velvet Ambrée Musk £200 for 50ml eau de parfum
harrods.com

 

Wearing this is like reaching out and stroking the softest, most supple suede your fingers ever dreamed of. The warm intensity of oudh, olibanum, patchouli, suede and amber at the fragrance’s core is balanced with resinous balsam, sweet praline and honeysuckle, plus dreamy white flowers, while a little pinch of spiciness from cypress, birch and pepper awakens the senses. Sueded Oud is a study in carefully crafted opposites, and we love the creamy-fresh result.

CLEAN Reserve Sueded Oud – Try a generous 10ml bottle as part of THIRTEEN fragrances in the Luxury Layering Discovery Box £19 (£15 for VIPs)

 

One of the greatest pleasures on earth is surely the joy of crisp, white, line-dried cotton sheets. This absolute classic deserves to be enjoyed afresh – it’s all billowing clean fabric evoked via the slightly soapy coolness of white flowers and a zing of verdant greenery. Bulgarian rose, violet and powdery orris atop an earthier base of vetiver and soft, dry mossiness make for true elegance, a scent to wear whenever you want to remember sunshine and happiness.

Estée Lauder White Linen £56 for 60ml eau de parfum
boots.com

By Suzy Nightingale

Fragrance (but make it fashion!) – Scents inspired by fabrics

The trend-fuelled worlds of fashion and fragrance have been hand-in-glove for centuries – quite literally by 1656, when the perfumery and leather industry had become intrinsically linked, the fashion for exquisitely crafted gloves, popularised at court by Catherine de Medici, somewhat at odds with the disgustingly pungent reality of curing leather in urine. So, the Corporation of Glove-makers and Perfumers – the ‘maître-gantiers’ – (master glove-makers/perfumers) was formed in France, importing ingredients from all over the world to scent the gloves; with acres later given to growing and distilling them, such was Queen Catherine’s passion for perfume, and an entire industry was born in Grasse.

Since then, where fashion has led, so fragrance has followed – and just as hemlines go and up down, and silhouettes dramatically alter from era to era, so too do scented ‘shapes’ change with time. And perumers have long been inspired by fabric in their creations – a peculiar thing, you may think, as most fabrics don’t have their own distinct smell. Yet as we imagine a white sheet drying in sunshine, or the plush eroticism of velvet stroked beneath our fingers, we can also imagine the scent these textures might have. Such is the alchemical magic that fragrance can create – an overlapping of the senses, and in this first of two parts looking at fragrances inspired by fabrics, we pay homage to scents evoking satin, cashmere, leather and cotton…

Satin drapes. It clings to the body. It moves in the most sensuous way… And you definitely need to try draping yourself in this from prolific and gifted ‘nose’ Francis Kurkdjian. We’d call this an after-dark fragrance, one for oudh-lovers, for sure – but busting any prejudices against that ultra-woody material, for in Francis’s hands it never, ever overwhelms. We’re getting Turkish delight – a sugar-dusted rosiness that blends Bulgarian rose essence with Turkish rose absolute, while genuine Laotian oudh melts into benzoin from Siam, and the sweetness owes much to a soft, powdery accord of violet and vanilla in the heart. There’s almost a chocolate-y element swirling seductively around the patchouli, while the oudh underpins everything with its animalic smokiness. Mesmerising.

Maison Francis Kurkdjian Oud Satin Mood £200 for 70ml eau de parfum
harveynichols.com

 

 

Tom describes Iridium as ‘the fragrance equivalent of charcoal coloured cashmere.’ We always enjoy a description that makes you imagine a smell from a texture and colour, don’t you? And this really is a cool-toned cashmere, exuding effortless chic with all the powdery sophistication of precious iris concrète, but granted a strong silvery spine. The iris is dosed with carrot seed to amplify the dry, root-y yet so-refined character, and the synthetic note of Iso E Super wafts forth a deliciously grown-up gourmand ‘your skin but better’ dry-down – the kind that has people asking ‘what’s that delicious smell?’ and a secret smile is stifled when you know it’s you… Now also available as an extrait formula, poured at 71% strength, for even longer lasting enswathement.

Tom Daxon Iridium £105for 50ml eau de parfum
tomdaxon.com

 

 

Reminding us of our beloved leather jacket, a stack of books or the wood-panelled, boozily infused surroundings of a members’ only club, leather fragrances evoke a particularly voracious and luxurious sensuality, favouring deep base notes that linger the whole day long. Russian leather fragrances have a long heritage, the intense smokiness of birch the vital scent ingredient giving ‘Russian’ leather it’s characteristic smell. Here, Molton Brown curl swirls of smoke through a Siberian pine forest, infusing leather-bound books with a campfire’s glowing ember scent. Magnificently done, it’s an especial pleasure in colder weather, though I love layering it at times with a rose that needs some extra oomph.

Molton Brown Russian Leather £60 for 50ml eau de toilette
Buy it at moltonbrown.co.uk

 

 

Like burying one’s nose in sunny-day line-dried linen, a gust of pure, clean ozonic notes greets us at this fragrance’s first spritz, only made more refreshing by a rush of watery notes and pinch of ginger. Mint and green accords carry this clean and fresh feeling into the fragrance’s heart accord, which then softens into florals, cushioned by skin-like musk and vetiver. Magically capturing the comforting sensation of crispness, and featuring elegant white lilies, floral cotton accords and a vanilla-speckled, benzoin-infused amber glow in the mix: this is one to spray when you need to be reminded of home, of lazy sundays and lie-ins and snuggling up in bliss. (See below to get a luxury try-me size!)

CLEAN Reserve Warm Cotton [Reserve Blend] £82 for 100ml eau de parfum
spacenk.com

 

 

Warm Cotton was the perfect addition to the Luxury Layering Discovery Box – featuring THIRTEEN layerable scents and three fragrant body treats to try at home for £19 (£15 for VIPs) – use it to freshen up a perfume without resorting to the usual citrus, to soften a scent you feel is too harsh or simply to luxuriate in the sebsation of that clean, soft white fabric dried in the sunshine.

Whether vintage or modern – evoking an era or an archetypal fabric – the fingers of fashion are still firmly within those fragrant gloves, and together they work their alchemical magic to embolden us: seducing several senses while enhancing our own sense of who we are – or whomever we want to be that day…

By Suzy Nightingale

Get #FROW for Suzy & Carson’s unboxing extravaganza

Take your front row seat and get ready to smell-along with our very own Suzy Nightingale and Carson Parkin-Fairley in our #FROW Discovery Box unboxing extravaganza!

In this fashion-forward box, timed to launch alongside our Couture edition of The Scented Letter Magazine, we explore each fragrance in-depth, and there are so many samples in the box – THIRTEEN fragrances in all – that we had to split the video into three parts.

STOP PRESS! If you purchase a box before 25th October 2019 you’ll be entered to win a full size fragrance from the box!  

Here’s what you get in the box:

Banana Republic Neroli Woods  1.5ml eau de parfum (full size £55 for 75ml)
Ermanno Scervino Ermanno Scervino for Women  2ml eau de parfum (£52 for 30ml)
Hugo Boss BOSS The Scent for Her  1.5ml eau de parfum (£49 for 30ml)
Kenzo World Power  1ml eau de parfum (£46 for 30ml)
Les Eaux Primordiales Couleur Primaire  2.5ml eau de parfum (£180 for 100ml)
Michael Kors Wonderlust Sublime  1.5ml eau de parfum (£46 for 30ml)
Mihan Aromatics Mikado Bark  3ml eau de parfum ($190 AUD for 100ml)
Mihan Aromatics Sienna Brume  3ml eau de parfum ($190 AUD for 100ml)
Molton Brown Bizare Brandy  1.5ml eau de toilette (£85 for 100ml)
Narciso Rodriguez Pure Musc  1ml eau de parfum (£45 for 30ml)
Oscar de la Renta Extraordinary Pétale  2ml eau de parfum (£85 for 90ml)
Paco Rabanne Lady Million Empire  1.5ml eau de parfum (£47.50 for 30ml)
Salvatore Ferragamo Signorina Ribelle  1.5ml eau de parfum (£50 for 30ml)

The Fragrance #FROW Discovery Box also features these fabulous extras…

Molton Brown Muddled Plum Bath & Shower Gel 30ml (£22 for 300ml)
INC.redible Puh-lease Semi Matte Lip Click (worth £10 for 1.8g)

Which will you fall for first, we wonder? Watch below to see which made us gasp, and grab your very own #FROW Discovery Box for only £19 (£15 for VIP Club members) + P&P.

Part One:

Part 2

Part 3

Ermanno Scervino: the fashion house wowing with their new fragrance

Ermanno Scervino is one of the hottest fashion houses around, and with the catwalks of the world having been freshly strutted, we wanted to pay tribute to the house currently wowing the perfume world, too, with their just-launched first fragrance…

‘As a boy, I was immediately attracted to the world of beauty and aesthetics,’ Ermanno Daelli admits, and even his childhood was full of fashion fantasies, as he reminisces spending the summer ‘…in Forte dei Marmi and the Cote d’Azur and winter in Cortina. These places were always crowded with the great divas of Italian and Hollywood movies, such as Monica Vitti, Sophia Loren, Elizabeth Taylor or Kim Novak.’

Rather more fabulous-sounding than our own childhood holiday memories of wet weekends in Bognor, we have to say! Among such glamorous icons, he ‘…dreamed, one day, to be the one who dresses such beautiful, talented and inimitable women.’ That dream came wonderfully true, as his clothes have been worn by Amal Clooney, Nicole Kidman, Angelina Jolie to name but three.

There’s an airiness of the materials the designer favours in his collections and an insouciance in the way they are styled: exquisitely gauzy gowns worn with precisely (yet so-relaxed looking) Italian tailoring. Now, this refined but playful aesthetic is translated perfectly in the first perfume from the house. And with his love of strong, brilliant women, Ermanno chose a trio of female perfumers – Julie Massé, Véronique Nyberg and Mathilde Bijaouo – to compose it.

Ermanno Scervino for Women encapsulates the frothy frivolity of a couture dress, opening with an irresistible gourmand Giaduia (chocolate and hazelnut) accord shot through with the sunshine of neroli and the sharpness of green mandarin, balanced against a fluff of white flowers.

The trio of perfumers visited the Ermanno Scervino boutique to get closer to the couture while creating the fragrance together, and you can see a video of that trip, below…

Julie Massé notes that ‘…composing a fragrance is like tailoring: mixing and matching raw materials, readjusting the formula, until it’s the right fit.’ Véronique Nyberg adds that Ermanno’s juxtaposition of fabrics, ‘…inspired us to create a multi-textured fragrance.’ Agrees Mathilde Bijaoui: ‘Giving texture to a fragrance is key,’ explaining: ‘In this creation, we created it from the top to the dry-down.’

That white heart simply billows with hushed, velvety tuberose absolute, a transparent jasmine and the coconut-water like Jungle Essence extraction™ – an exclusive formula from the fragrance house MANE. Set against the creamy vanilla, cashmere wood and white musk of the base, the overall effect is of white tulle on a backdrop of sunshine: sparkling, refined, and simply beautiful.

We are thrilled that Ermanno Scervino wanted to give you the opportunity to try a sample of this new fragrance in our #FROW Discovery Box!

There are THIRTEEN fragrances to sample at home, from the chic and uplifting Banana Republic Neroli Woods to dazzling Oscar de la Renta Extraordinary Pétale via creations by the hot new niche brands Mihan Aromatics and Les Eaux Primordiales. There’s a fragrance for every look with Michael Kors, that fabulous Ermanno ScervinoKenzo – and so many more...

The box also includes a FULL SIZE INC.redible Semi Matte Lip Click (worth £10 alone) and an invitation to wind down into colder nights with the shimmering, decadent new Molton Brown Muddled Plum Bath & Shower Gel.

The entire box is only £19 + P&P (£15 for VIP Club members), so if you want to get front row to be in the know – and make sure you’re dressed in the best that fragrance has to offer – you can get your hands on the box right here

By Suzy Nightingale

Dior Prêt-à-Portea: fragrantly inspired afternoon tea

Inspired by the magnificent Dior: Designer of Dreams exhibition we reported on from the press day at the V&A, Dior have now launched an afternoon Prêt-àPortea at The Berkeley, and it really sounds like a treat for all the senses…

‘The Dior Couture Collection transforms landmark pieces into exquisite biscuits, bakes and fancies. From the Junon Dress worn by Theo Graham at Le Pré Catalan in Paris 1949 to the Bar Jacket which has been synonymous with Dior since it took to the catwalk in 1947 as part of the ‘New Look,’ each piece this season takes inspiration from Dior’s fashion history.

Your tea also includes a flavoursome collection of miniature savoury skewers, taster spoons, elegant canapés and tea sandwiches. To drink, choose a loose leaf tea from our extensive collection…’

Or you could go all-out and add some bubbles to the perfumed proceedings – a special treat for their Mother’s Day sitting on March 31, perhaps – or simply a way to celebrate the scents and treat yourself?

Prêt-à-Portea is priced at £60.00 per person.
Champagne Prêt-à-Portea, with a glass of Laurent-Perrier, £70.00 per person.
Signature Mocktail Prêt-à-Portea, with a glass of a refreshing Mango & Rooibos mocktail, £70.00 per person.
Couture Champagne Prêt-à-Portea, with a glass of Laurent-Perrier Rosé, Bollinger Rosé or Ruinart Blanc de Blancs, £76.00 per person.

Take a look at the full menu, here

This menu will be refreshed every six months, to reflect the catwalk trends, but right now we’re salivating over the thought of the rose pink Miss Dior cake and the Muguet pavlova, both directly inspired by the perfumes… Perfume and cake, could it honestly get any better?

Written by Suzy Nightingale

We j’adore Dior – Designer of Dreams at the V&A

Perfume is the indispensible complement to the personality of women, the finishing touch on a dress.’ – Christian Dior

Showcasing couture gowns worn by Princess Margaret, Margot Fonteyn and Jennifer Lawrence, in Christian Dior: Designer of Dreams, the V&A has opened the world’s largest exhibition ever staged in the UK on the House of Dior. We went to gawp at the gowns, and of course, to swoon at the scent bottles…

How telling that – amidst room after room of sumptuous designs and rainbow walls of vivid colours, unless one peered at the labels – it was practically impossible to accurately date the array of garments and accessories. And how welcome that so many iconic fragrances are displayed as part of the overall design aesthetic of Dior.

‘The exhibition highlights Christian Dior’s total design vision,’ explain the V&A, ‘encompassing garments, accessories and fragrances. Flowers are emblematic of the Couture house and have inspired silhouettes, embroidery and prints, but also the launch of Miss Dior in 1947, the first fragrance created alongside the very first show.’

Fragrance and fashion have always gone hand in (scented) glove, but never more so than with Dior. No designer has simultaneously launched a new brand new fashion line and a fragrance. It was an audacious act that marked their groundbreaking, breathtaking course to this very day.

Lined-up in cabinets, perched on plinths or variously housed within a stand resembling a miniature palace; the Dior fragrances are shown as being vital to the overall development of the house, and their continuing success shows how warmly we have clasped the scents to our (in our dreams) Dior-clad chests.

Arranged into eleven sections, the exhibition traces the skill and craftsmanship of the ateliers, along with highlighting many of the designers who have worked under the Dior banner, always pushing the boundaries while keeping an elegant insouciance that remained true to Dior’s ethos.

Noses pressed against the glass, oh how we would have loved to smell some of the originals – an impossible task at such a large exhibition, of course, but merely gazing at the original sketches for the bottles, a saved invitation from that orginal fashion and fragrance launch, and the most lust-worthy flaçons you’ll see all year – it’s enough to transport most of your senses. We advise wearing your favourite Dior fragrance and inhaling deeply as you get giddy with the glamour of it all…

Christian Dior: Designer of Dreams runs from now until 14th July 2019, with tickets from £20. All concessions £15.

We highly advise booking your tickets now, as a day after opening they were sold-out until April. Even so, believe us, it’s worth the wait.

Written by Suzy Nightingale

Floris, fashion & fragrance with Alex Schulman & Amber Butchart

For the launch earlier this year of their so-sophisticated 1927 fragrance, Floris gathered together a curated group of guests to 89 Jermyn Street to celebrate the inspiration for the latest in their Fragrance Journal series, with two very special women discussing the rich and intertwined histories of fashion and fragrance… and we were thrilled to be present!

Scroll down to watch part of their fascinating conversation, and read our review of this stunning scent…

Dissecting nearly 100 years of social history in London, fashion historian, TV presenter and author Amber Butchart, former Vogue editor, author and journalist Alexandra Shulman, Floris Perfumery Director Edward Bodenham and Head of Marketing Alex Oprey explored how to bottle a moment in time. And now, Floris have released a video so you can watch along.

As part of their Fragrance Journals series, Floris created a very special time capsule, but exlained they wanted to make sure it smelled current and totally wearable for today – these are no museum pieces, but living homages to eras that have changed our world forever. The end of the 1920’s marked revolutionary new fashion movements, especially for women – cutting their hair short, smoking, dancing, partying all night and wearing loose-fitting, calf-length or shorter dresses that flirted with scandal.

Floris say: ‘The Fragrance Journals are a series of unique Eau de Parfums, capturing the heart and soul of London throughout the decades of the 1960s, 1970s and 1980s and most recently the 1920s.

Each fragrance weaves and knits its way through the fabric of a key moment, district, and culture of the time, bringing out a true reflection of a city which has the ability to both adapt to change, yet remain rooted in its identity. A love letter to London, its social fabric and its people.’

Read on for our fragrant review…

Floris 1927
1927 kicks off with a swing as aldehydes burst like champagne bubbles into bergamot, and we can almost hear the giggles as cocktails are carried to the drawing room. Bright Young Things in barely-there bias-cut silks swing their pearls, violet, ylang ylang, narcissus and mimosa sashay their way to dancing on the tables – and an oakmoss-like, vanilla-musk base adds to sophisticated high-jinks.
£140 for 100ml eau de parfum
florislondon.com

Written by Suzy Nightingale

Spotlight on: Yves Saint Laurent

Yves Saint Laurent was a ground-breaking designer who delighted in shaking up the mainstream, always in his  stylish and undeniably sexy way, with this ethos effortlessly transferring from fashion to fine fragrance.

Producing several of the best-selling perfumes of all time, with stunning bottles that have become collectors items in their own right; not many fragrance houses can claim to have a founder who dared pose naked for his own fragrance advertising campaign, because ‘perfume is worn on the skin, so why hide the body…?’

It all began at the tender age of seven years old, when Yves Saint Laurent began designing clothes for his sister’s dolls, expressing a natural talent and indulging a dream of a career in the glamorous world of fashion design. A deacde later, and he’d enrolled on a graduate fashion course at college, winning both 1st and 3rd prize in the prestigious International Wool Design competition at only 18 years old. His talent was showcased to the world and a young Saint Laurent was offered the role of haute couture designer for the House of Dior. A dazzling debut, interrupted by a brief period of national service in the army, led Saint Laurent to opening his very own couture house, still aged just 21, and enabling him to truly express his fashion expertise.

1962 saw the dawn of the Yves Saint Laurent brand and his masterful couture creations for the rich and famous. But clothing was never the only way Yves Saint Laurent wanted to dress women – in 1964 he created his first fragrance, Y, a collaboration with perfumer Jean Amic. It was an olfactory expression of the elegance and luxury of his couture fashion – a fragrance tailored for the beautiful women he dressed. In its original packaging, the green chypre juice was housed in a bottle cut to reflect the silhouette of a woman’s head and shoulders. The letter ‘Y’ cleverly placed to represent the neckline on her dress.

In 1971 Yves Saint Laurent continued to shock when he launched his first fragrance for men, Pour Homme – posing nude for the visual, in stark representation of the values of the Yves Saint Laurent House, comfort and sophistication coupled with modernity and audacity. In the same year, he created a fragrance for the independent, free-spirited woman who shopped at his new boutique: Rive Gauche. At a time when fragrances were presented in classically feminine bottles, best stored on the dressing table at home, it was the first fragrance to be launched packaged in a tin can!

 

In 1977 Yves Saint Laurent wanted to glorify another facet of YSL femininity; sensuality and seductiveness – and women the world over were seduced by YSL’s Opium . An opulent swathe of ambrée ambers and vanilla by perfumers Jean Amic and Jean-Louis Sieuzac, this audaciously-named fragrance sparked immediate controversy. As the scandal and the hype grew so did demand. Global press took straight to the newsstands to criticise Yves Saint Laurent’s determination to shock, but scandal only served to fuel desire; testers were stolen, posters were ripped down and stores sold out of stock in a matter of hours on the launch date.

Fast-forward to  2014, when the latest reinvention of the YSL woman was launched in the form of Black Opium, composed by four master perfumers (Marie Salamagne, Nathalie Lorson, Olivier Cresp and Honorine Blanc), with an overdose of black coffee accord to instantly invigorate the senses, contrasting with voluptuous white floral heart notes and a gourmand vanilla base.

The following year, Black Opium scooped Best New Fragrance for Women in the UK’s prestigious Fragrance Foundation Awards – and since then, the fragrance has acquired countless ‘collectors’, thrilled by limited editions and new ‘spins’ on this smouldering scent.

There are few people who’ve not owned and loved an Yves Saint Laurent fragrance, or who don’t have one of these – classics and modern must-haves alike – in their collection. We’d be hard-pushed to pick a favourite… so, we wonder, what would yours be? And while you’re pondering which perfume to choose, you can read all about their history in more detail on our page dedicated to Yves Saint Laurent