How do find the ‘true you’ and know if a fragrance suits you? This is one of the most frequently asked questions we get at PSHQ, and to be honest, it’s one of the reasons we launched (incredibly, nine years ago, now!)
One of the the best ways to really tap into that ‘true you’ and discover what you need from a fragrance on any given day is how it resonates with you – how it makes you feel, not just what it smells like.
Personal Preferences:
From childhood, we are all conditioned to have individual smell preferences, and our response is based partly on our individual genetic make-up (our DNA), and partly on our life experiences. So: that crushed tomato leaf note that reminds you of a beloved grandmother and her greenhouse – or the jasmine that was growing round a door when you were poorly on holiday, and which you can hardly stomach. Technically, we all have an ‘olfactory fingerprint’, which is unique to us: it is our life’s experiences all locked away in our smell memory. In the same way that we each respond differently to different smells, we don’t all like the same pictures, or the same music. (And wouldn’t life be boring, if we did…?)
Your DNA:
Your physical make-up can have an impact, but there are many, many exceptions… Please remember this is a very broad rule-of-thumb, and can also change with hormone levels…
Blondes with fair skin may find they are happiest with rich florals, as their skin may have a tendency to dryness, and subtle/citrus fragrances will evaporate quickly.
Brunettes / black hair often have medium/dark skin which tends to contain higher levels of natural oils, allowing scents to last longer; they may find Ambreés (deeper, more resinous) notes work well.
Redheads tend to have fair and delicate skin, and sometimes this turns out to be incompatible with perfumes dominated by green notes.
How to Find a Fragrance You Like:
We’ve previously published a piece on how to find a fragrance, where you will find all the tips and tricks you need to get your hands (and nose) on a selection of scents
But… Does it Suit Me?
Ask yourself this question, only, at first: Do you really like it? If so, then yes! We can never hope to please everyone with our scent choices, so our advice is, don’t even try.
Sometimes, though, when people ask this question it’s because the fragrance is out of their comfort zone. It’s completely true that some fragrances – particularly the bolder or more complex and unusual ones – can take longer to fall in love with. The most important thing is to give fragrances TIME on your skin – not just one spray on one day, then walking away if it doesn’t immediately grab you.
Other times, people ask this question if they simply can’t smell a fragrance on themselves very strongly. This might be because you’re ‘anosmic’ (unable to smell) some of the notes. This can happen with large molecule notes (like musk), and amazingly, scientists currently still don’t know why we can smell some things but not others. Or, it might be because you’re so used to smelling the same ‘signature’ scent that your nose has ‘switched off’, and doesn’t register it anymore.
The best way to find the ‘true you’ with fragrance…
…is to try several – try scents you’d never normally consider wearing, even those that feel so different they might be a little challenging at first. That’s why we started doing our Discovery Boxes nine years ago, and so love curating them to this day!
Really get to know the new fragrance samples – and yourself – by considering what it is you do or do not like about them. It’s just as useful to learn what we dislike, at times, rather than sticking with something safe but dull. Do you wish they were brighter, lasted longer, were bolder, smoother, softer…? Now you know a little of what you need, what the ‘true you’ requires, and you can ask an assistant in store, or search for those key words online.
It’s a starting point, and the beginning of a wonderful journey. Next, you might have learned of a brand you’d like to explore more of. And then you’re already in the midst of a wonderful journey…
It does so invisibly – so you don’t need to don a superhero costume or dye your hair magenta (unless you want to, which we highly encourage!) Instead, perfume seems to work on our psyche, with the ability to both outwardly project our innermost personalities, or to bolster bravado, energy or playfulness we might otherwise struggle to don the mantle of amidst the ongoing daily chaos of our lives.
The truth is, since the start of the pandemic we feel, there’s been a seismic shift in the scent world. Many reported wearing more fragrance than ever during lockdown, to travel with their nose, spark scent memories or play with their perfume collection as though it were a dressing-up box. Which, we are here to tell you. it most definitely can be!) And, with many of us still working from home – something our parents would probably never have imagined – so too have we filled those dual-purpose spaces with scented candles and diffusers, as the boom in home fragrance sales proves.
Concurrently, there’s been a more gradual change in the way we wear it: a realisation that the once standard ‘Signature Scent’ was no longer up to the job of reflecting every facet of our characters (or helping mask the more tender bits of our souls on a difficult day). With the wider cultural encouragement to explore what it means to be – uniquely – ourselves, others became more familiar with the concept of layering scents to create their own ‘bespoke’ blends.
So, with the world as your olfactory oyster (though smelling rather more appealing), and with such a plethora of perfumes to choose from; where does one begin the journey to ‘find yourself through fragrance’?
Firstly, you need to get to know what you like, and more than that: how particular perfumes make you feel. Sounds simple, doesn’t it? But so many of us become stuck in a bit of a scented rut, or just don’t know where to start with widening our fragrant horizons. Follow these tips to start your own ‘new you’ scent journey, here…
Where to Start?
Use our simple Find a Fragrance tool – just type the name of a fragrance you already know and love, and the so-clever algorithm suggests six new scents with similar characters to try, with prices to suit all budgets!
How to Test?
Your taste in fragrance changes over the years – just as in food preference – and depends on weather, what you’ve eaten recently, your mood and hormones. So, take your time to explore a new scent out of your comfort range.
Spray on a blotter first and come back to it at hourly intervals. Write down your initial thoughts, then re-try a few days (and weeks) later.
Many perfumers trained for more years than a heart surgeon, memorising ingredients by connecting their smell to personal scent memories and images that immediately spring to mind, unbidden.
Smell has no distinct language. If you’re struggling to describe a scent, try likening it to fabric (is it velvety, suede-like, cotton fresh, silken or fluffy?) Perhaps it reminds you of music (played on which instruments? Fast or slow?) Or you might picture a place – imagine the air temperature and scenery it evokes…
Your nose gets used to smelling the same things, so avoid wearing the same thing daily. Try layering to re-awaken your senses or branch out with exciting new discoveries!
Like all artists, perfumers tend to have a certain style. If you fall in love with one (we’re predicting several) of these, research them online: we bet you’ll fall for others.
Scent molecules are volatile and evaporate at differing rates. Citruses are lightest, often found in top notes and disappearing rapidly; florals tend to be in the heart while base notes are heavier, woody or resinous. Make these stages last FAR longer by using matching or unscented body lotion, spray into your hair or on clothes (after testing on tissue!)
Undecided? Spray on a scarf rather than skin: you can take it off and sniff again, later! Spraying on fabric (or your hair) also helps make it last far longer as the molecules don’t warm up so quickly (or evaporate) as on skin. As does…
Use an unscented (or matching) body lotion or oil. Fragrance doesn’t last long on dry skin (or in hot climates). It clings far longer to moisturised skin – so slather up, then spray.
Fragrance samples are THE best way to try new things, dive nose-first into a whole new house you’ve never tried or perhaps a differing perfume family than you’d normally go for.
Where to Get Samples?
The best idea is to get a Discovery Box of fabulous mini sizes and samples from a wide range of luxury, niche and top-end designer fragrance houses. That way you can start exploring and trying them all in the comfort of your own home, before you splash out on a full size. This way, you also get to try things you may never have picked up to try in store (indeed, may never have heard of previously!) and have proper time to try on your skin.
Want to Explore More…?
Brand Boxes are the way forward. You may know you like one scent from a particular house, and are ready to be a bit braver and see what else they do. It’s a fantastic leaping-off point, actually, as many houses offer differing styles of scents while still retaining a kind of olfactory handwriting – the same way an artist will have a certain look to their work you can recognise, or a clothing designer tends to work with shapes or tones that suit you. So, when you’ve found one you love, do explore the rest in their collection (and obvs samples are the best way to do this without breaking the bank).
Our Biggest Tip?
Give fragrance TIME. Let it settle. Try it several times (in the morning and /or evening, and when you’re in differing moods, if possible). How we’re feeling, the weather, our hormones and even the food we ate recently all have a huge effect on how scents smell on our skin. Plus, being braver can take time, too. Allow yourself the pleasure of exploration, take notes, compare with friends: have FUN finding yourself with fragrance, while finding a new fragrance for you.
You may surprise yourself with what you end up falling madly for. You know, the one that goes beyond merely smelling nice to that eyes rolling back in your head moment, emitting guttural noises of pleasure at, which people stop you in the street and beg to know the name of.
Oh. You don’t know that one? Well, you’ve just not found it yet! It’s out there. Waiting for you… whomever you feel like being today, tomorrow, and next week.
Because we all get stuck in our scent ways sometimes, or only focus on shiny, new launches, we created a guide to Fifty Fragrances You Should Try (or at least sniff) in a lifetime.
Seeking out and smelling these scents helps build a library of scent knowledge. Some are over a century old, others created by ‘rising star’ new houses in the fragrant firmament. Among them, you’ll encounter scents that changed the course of perfume history – and you may even recognise their olfactory echoes in many newer launches you go on to try.
You can read Part One here, but if you’ve already limbered up your noses, let’s take a look at the last twenty five names on our list – and remember that list could well have been five times as long! We simply chose some to give you a great overview of the olfactory timeline and fragrant landscape you should explore…
[P.S: We’re thrilled the longer version of this article, which appeared in our 50th issue of The Scented Letter magazine, is up for a Jasmine Award!]
Feminine, empowering and instantly game-changing, in 2011 those who clamoured for the stunningly glam shoes suddenly wanted to wear Jimmy Choo on their wrists (and necks, décolletage, behind knees…) Olivier Polge leant his mastery of ingredients to creating this fruity Chypre that tempts with tiger orchid, toffee and Indonesian patchouli. One to wear while dancing on tables.
When the now-iconic scent first whooshed its way into the perfume world in 1999, we were still in recovery from an era of powerful ‘room-rockers’. Inspiring countless Cologne-esque copies from others who’d not predicted this fragrant about-face, none can beat the original zesty, feel-good zing of just-squeezed citrus with handfuls of torn basil and thyme leaves still warm from the sun.
The ultimate tribute to the Sixties: an intoxicatingly intense patchouli fragrance that’s dark and smoky, twisted through with the golden gleam of amber, and a no-brainer for any patch-lovers to swoon over (as we often do). A glorious example of a ‘phoenix’ perfume house – restored way beyond its former 1920s glory, now also an indie treasure trove of shops for fellow scent obsessives.
Kenzo’s new bloom for the millennium, it’s the imagined the scent of a poppy – one of those so-elusive flowers we adore but which remain frustratingly ‘silent’ and scentless in nature. Step forward the artistry of perfumery, in the hands (and nose) of Alberto Morrillas, and this 2000-launched scent now celebrates over 20 years of powdery, violet-tinged, hawthorn-dusted beguilement.
Perfumer Nathalie Lorson excelled herself in 2006 with this love song to the scent of vetiver. Smouldering, inky, bone dry, and slightly dangerous, it wraps the wearer in a cloak of woody cypress, fluffed a little at the edges by cashmere, and ruthlessly seduces with a lover’s neck caress of still-cool muskiness. We dare any sex to wear this and not cast a spell over all in its trail.
In 2012, this free-spirited fragrance first sashayed its way on the world’s scent stage, embodied by Julia Roberts in the advertising campaign, created by a trio of top-notch noses (Anne Flipo, Dominique Ropion and Olivier Polge), and reportedly with 5000 trials in the making. Full-bodied iris is the star, swagged by radiant orange blossom and jasmine, the fruitiness shot through with praline.
Since 2011, whole cities have become scented by Santal 33, such has been the popularity of this creamy, dreamy, woodsy perfume story. It’s some story. Former L’Oréal executives Fabrice Penot and Eddie Roschi already had 10 scents to Le Labo’s when Santal changed everything. Starting life as a candle, perfumer Frank Voelkl made it ‘deeper, more comfortable’ and created a must-sniff cult classic.
A modern classic, created for the 250th anniversary of the iconic crystal house in 2015. Luminous and sophisticated, Baccarat Rouge 540 lies on the skin like an amber floral and woody breeze. A poetic alchemy, the aerial notes of jasmine and tingling, warm radiance of saffron carry intriguing mineral facets of misty ambergris and woody tones of freshly cut, brown sugar-sprinkled cedar.
Captured in an apothecary-style bottle, with a label echoing the designer’s clothing tags, each Replica fragrance evokes familiar scent memories and moments linked to specific locations. In 2015 we were beckoned to a French alpine fireside, delicious chestnut cocooning pink pepper and clove, contrasting with warm notes of cashmere and orange flower for cuddle-me-closer woodiness.
Jacobs’s playful yet sophisticated attitude is reflected in his love of fragrance and most especially this wildly successful scent of 2007. The essence of a youthful spirit, sunny, happy and free, the airy simplicity and charming bottle topped with oversized daisy cap has become iconic. With numerous international awards to its name, each new ‘spin’ on Daisy delights us afresh.
Collating an olfactory album of scent memories, husband and wife founders Clara and John Molloy (via perfumer Alienor Massenet) have distilled huge charisma into this aromatic, honeyed leather, inspired by Clara’s ancestral roots. Swathing green freshness in a somewhat animalistic spirit, the chill of frosted juniper and clary sage is soon smouldered by the warmth of an open fire.
Tasked with creating a fragrance to conjure up F. Scott Fitzgerald’s Tender is the Night, Mathieu Nardin’s 2018 artistic interpretation is an ode to darkness and light. Blood orange, davana and golden olibanum collide in a kaleidoscopic splash of brightness, while shadowy dark roses mingle with patchouli and oudh. Tinged with sweetness, this artistic endeavour allows your inner child to dance.
This iconic sizzle of a scent was ahead of its time by several decades, evolving from bodywash in the 80s to perfumer Jacques Chabert’s personal fragrance in 2001, and finally into the grateful public’s hands (and wrists). The pepper’s enhanced by lemon and ginger up top, dark green herbs in the heart – a true wake-up call to get you going any time you need a fragrant boost of energy!
An olfactory ‘shock’ when it launched in 1992, with its unashamedly unique, good-enough-to-eat candyfloss, bold berries and an unprecedentedly high concentration of 30% ultra-rich, woody patchouli. Mugler’s childhood funfair vision, brilliantly interpreted by Olivier Cresp and Yves de Chiris, will be among the stars, forever. Manfred Thierry Mugler, 1948–2022, R.I.P.
This eau de parfum version in the soft pink bottle (as opposed to the black EDT) was created by Christine Nagel and Francis Kurkdjian in 2016. Echoing the feminine strength of Rodriguez’ empowering designs, the rose and peach melt seamlessly into a softly simmering amber and signature musk base. Seriously sexy in the most unfussy, unbuttoned way, it still makes our hearts beat faster.
The first fragrance love affair for so many, it’s hard to believe this first came out in 1948, though the twin doves atop the cap (symbolising peace) make perfect sense. Perfumer Francis Fabron swathed a delicate bouquet in airy aldehydes, the clove-like spiciness of carnation and a dusting of violet and iris. Classically classy, did you know it’s worn by Clarice Starling in ‘Silence of the Lambs’?
Socrates drank black hemlock to poison himself, but Geza Schoen used it in 2002 for a quite different effect, oodles of the absolute lending mysterious shadows to a dusky forest, otherworldly whispers amidst the verdant undergrowth, all set against the backdrop of a violet-streaked, vetiver rich, amber-tinged, sunset. It could easily conquer your heart (and anyone near).
Inspired by a small Turkish village famed for its roses, perfumer Christian Provenzano coaxes baskets of the blooms to radiate in the hot sun. Steeped with spices, the nutmeg and oudh sweep in clouds across supple leather (and often, onto the streets, actually wafting from Penhaligon’s boutiques). That distinctive amber woodiness in the base has ensured its smash-hit status since 2015.
From the moment it launched in 2007, Daniela Andrier’s scent gained cult status. smooth and crisp all at once, cleverly reminiscent of clean linen and warm skin, neroli and mandarin make for an airy introduction to which Andrier’s fused an exquisite tapestry of elements – accenting green galbanum, cedarwood and vetiver with the almost bread-like buttery-softness of iris. Sheer genius.
Created in 1948 by the indomitable Germaine Cellier, this remains the tuberose against which all others must be measured. Emphatically voluptuous with a heady coolness, this deliberately divisive, Baroque floral has apparently been beloved, among others, by Rita Hayworth, Brigitte Bardot, Courtney Love and Isabella Blow. In other words: shrinking flowers need not apply.
British perfumer Ruth’s own memories of her life in England and her exciting travels abroad formed the basis for her first scent, fittingly named Signature for the way it so perfectly becomes part of you. A distinctively timeless Chypre that’s laced with luscious pineapple, the oakmoss and patchouli base become a warm sunshine-infused hug whenever required.
Originally launched by Shiseido in 1992, during his creative tenure there, this fragrance came with him for the launch of his own ground-breaking niche perfume house, HQ-ed in Paris’s Palais-Royal, just a few years later. The genderless woody fruit accord gives us a forest of dry cedar swathing a superbly spiced plummy, lipstick-y violet.
An instant cult classic from its 2006 launch, famed for the seductive black truffle-infused orchid, rum soaked plums, gleaming, burnished ylang ylang and the silky, lingerie-like stroke of sandalwood and vanilla in the base. Darkly delish, devilishly moreish, Tom Ford smoothly bridged the gap between out-there edgy niche and luxe designer dreaminess. We’re still here for it.
In 2005 Viktor & Rolf veritably exploded onto the scent scene, with this immediate blockbuster putting the edgy and rule-breaking Dutch design duo firmly on the fragrance map. Traditional note structures were cast aside by Carlos Benaïm, Olivier Polge and Domitille Bertier; instead, overlapping floralcy entwined with a milky muskiness. Still the bomb.
In 1977 the world was seduced by this audaciously named fragrance; still controversial today, back then it caused a scandal. The opulent swathe of ambrée vanilla, by perfumers Jean Amic and Jean-Louis Sieuzac, was still shocking us in 2000, when Sophie Dahl’s infamous naked ad saw portrayed her experiencing an Opium-induced olfactory ecstasy. (As well she might.)
From bestsellers to treasures from niche names, Suzy Nightingale suggests 50 fragrances we think you should be sure to sniff out – and what better time to begin than in National Fragrance Week?
Those of us who love fragrance are always seeking out the new, the exciting, the just-launched. But it’s sometimes easy to overlook the exquisite creations that are right under our noses. Think of the following as akin to one of those i-SPY books we loved as kids, in which we’d patiently check off lists of ‘must-see’ birds, cathedrals, native shrubs or whatever fuelled our childhood passions.
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Here, we present the first half of those 50 fragrances we believe you simply must seek out (we’ll be sharing the second half of the scent list next week) with direct links so you can explore and find out more. Now, get those blotters ready (and note down those you like the sound of so you can tick off your own 50 fragrances I-Spy list…
Founder and perfumer Sarah McCartney created this in 2013 as a bespoke fragrance for a VIP event, with a journalist present declaring it to be ‘the sexiest scent ever!’ And thus, a star fragrance was born. Hints of citrus, smooth vanilla, soft woodiness and musky ambergris form an unassuming but undeniably addictive blend that will have you exuding the sensuality of its name.
A timeless symbol of Italian chic, Colonia dates from 1916 and was first used to scent gentlemen’s handkerchiefs. With fragrant fans including Cary Grant, David Niven, and Audrey Hepburn, it’s as if you’ve wandered into an Italian sunlit idyll. Sicilian citrus, bergamot, lemon, sweet and bitter oranges infuse your soul with golden sunshine, the warm base cashmere soft. Bliss, bottled.
Awarded Best New Independent Fragrance 2012 by the Fragrance Foundation UK, this was London-based perfumer Angela Flanders’s homage to her daughter, Kate. An even more special tribute given Angela’s passing, and Kate taking on the role of perfumer. The exquisite floral accord rests on a base of softest oakmoss, layers of smoky vetiver unfurling their classically cool, deeply intriguing charms.
Setting the trend for green tea-infused scents, this chicly refreshing fragrance launched in 1992. The pared-back elegance of cool herbaceousness (cardamom atop citrus and coriander) is down to master perfumer Jean-Claude Ellena. An olfactory haiku, the citrus segues seamlessly to the lucent lily of the valley, jasmine and rose heart, the tea effortlessly steamed in musky woods. Genius.
Although this made its debut in 2014, founder Ben Gorham had the idea six years previously ‘when I gave my cousin away at her Indian wedding.’ Capturing the vision of an Indian bride’s hair covered in floral decorations, perfumer Jérôme Épinette’s creation pulses with tuberose, wild jasmine, rose petals, Scandinavian lingonberry and Sicilian lemon on a suede-wrapped amber base.
The world’s love for Calvin Klein clothing, accessories and fragrances was at its peak in the 90s, the revolutionary fragrance hitting the shelves in 1994 and immediately making its mark, with $60 million global sales in three months. Ultra-fresh, a first-of-its kind unisex eau de toilette, the Steven Meisel ads starring Kate Moss perfectly evoked its insouciant, aromatic aquatic sexiness.
Carolina Herrera de Báez (Carolina Jr) joined her mother’s empire in 1996, just one year later launching this ‘spirit of New York, bottled’ scent, having grown up amidst an artistic landscape of impeccable style and a ‘language of aromas.’ Alberto Morillas wove a youthful exuberance into airy gardenia and jasmine, the soft, musky sandalwood dry-down a testament to vibrant, urban modernity.
Brilliant in-house perfumer Mathilde Laurent is everyone’s girl-crush: a woman’s woman who suffuses the house’s heritage with so-cool yet achievable stylishness. Embracing tart fruitiness with gardenia, rose and ylang ylang atop an animalistic purr of patchouli, oakmoss and leather, this gracefully rebellious ‘symbol of freedom’ was a modern classic the moment it first miaowed in 2014.
Recognisable the world over by bottle alone, this iconic fragrance celebrated its 100th birthday last year. Back in 1921 (and ever since), what really set No5 apart was its abstract construction. Legend has it that perfumer Ernest Beaux put an ‘overdose’ of aldehydes (sparkling, Champagne-like notes) in the bottle; while we’ll never know if that was true, the rest is fragrance history – and its future!
Already known for their flirty, feminine womenswear, Chloe’s debut scent launched in 1975 under the umbrella of Karl Lagerfeld. When time came to create a signature for a new generation, it needed to embody the fresh, confident femininity that’s in Chloé‘s DNA. Thus in 2008, Amandine Clerc-Marie and Michel Almairac dappled delicate peony with a cool, dewy fruitiness for a fluidly graceful go-to.
Long before today’s natural beauty trend, Clarins pioneered the use of aromatics and botanicals in skincare; their Eau Dynamisante was the first eau de toilette combining principles of aromatherapy and phytotherapy (plant therapy) in fragrant form, back in 1987. Hydrating, toning, and revivifying via essential oils of lemon, patchouli, petitgrain, ginseng and white tea, it’s immediately mood-lifting.
CREED‘s most celebrated fragrance became a true sensation on its launch in 2010, an unusual pairing of succulent pineapple and smoky birch with further fragrant juxtapositions of blackcurrant and rose, apple and jasmine. Inspired by the dramatic life of Napoleon, it’s become (and remained) a blockbuster for its inventive, unapologetic drama and unconventional boldness of spirit.
Christian Dior’s scented legacy has endured long beyond his too-short lifetime. To follow legendary Miss Dior and Diorissimo, in 1966 Edmond Roudnitska was entrusted with this zingy yet ethereal, utterly enthralling cologne-style creation. His clarity of composition – bright, crisp lemon and verdant herbs up top, balanced by a handsomely dry vetiver base – remains a wardrobe must-have.
Making fig fabulously fashionable in 1996, Olivia Giacobetti lapped the crunchy, vegetal nature of fig leaf with a silky milkiness that spoke of humid exoticism and fragrant escapes. Rippled with coconut, comforted by the pencil-shavings note of cedar’s woodiness as it warms, we know many a perfumista who reached for this during lockdowns, and will be wearing for decades to come!
In 2006, the idea of having a fragrance containing but a single, synthetic ingredient was startling. Maverick perfumer and founder Geza Schoen admits he thought, ‘This one will appeal only to the artists, the freaks, the outsiders.’ He was wrong; the world went crazy for the ISO E Super – that warm, fuzzy comfort of nuzzling your lover’s neck and leaning in for more, more, more.
Launched in 1953, this had a clever dual-purpose: ‘…a bath oil that doubled as a skin perfume.’ Because although it was then considered déclassé for a woman to buy her own fragrance, as Esteé Lauder herself once said, ‘it was feminine, all-American, very girl-next-door to take baths…’ This spicy floral simmers with incense and rich (almost cola-esque) resins: the scent of subversiveness!
This British fragrance house has blown us away with their fun, modern take on fragrances, the charmingly luminous effervescence of Electric Rhubarb a case in point. Perfumer Jérôme Épinette [the nose for all their scents] created this in collaboration with the Royal Horticultural Society. Think summer days sipping Prosecco – rhubarb’s fizz, sea salt and white flowers an enlivening, joyous jolt.
Chypre is one of the most classic fragrance families, but in 2017, Floris gave it a swoon-worthy twist, with sunshine-filled neroli dancing with the soapy brightness of bergamot, lemon and sweet orange until the heart proffers a floral bouquet. Then, as the lights dim and flicker, a va-va-voom yet never cloying vanilla, transparent muskiness, amber and patchouli are chicly revealed.
Once Monsieur Malle took the step of putting perfumer’s names on the bottles, these once-hidden noses became olfactory rock stars. Dominique Ropion had crafted iconic fragrances for years, but with the overtly sensual, dark rose, berries and sinuous patchouli of 2010’s ‘POAL’ (as it’s oft known), he created the decadent scent trail of many a perfumista, and Malle’s bestseller.
Giorgio Armani describes as ‘my tribute to modern femininity, an irresistible combination of grace, strength and independent spirit.’ It’s a masterful ‘reinvention’ of that so-classic Chypre family for a contemporary new audience. Captivating the senses with its three accords – fruity cassis nectar, a modern Chypre accord, and light musky woods – it’s sophisticated yet utterly unfussy.
If there was an award for ‘Most Mentioned Signature Fragrance by Celebrities’, Goutal’s Eau d’Hadrien would probably win the gold medal – and with good reason. In a timelessly intriguing, deceptively simple take on freshness, mouth-watering citrus, ylang ylang and sparkling, soapy aldehydes evoke Annick’s beloved Italian garden. Way ahead of its time in 1981, it’s just as relevant now.
Incredibly over 100 years old. Its creator Jacques Guerlain’s reign lasted 65 fragrance-filled years and included many a masterpiece (Mitsouko, how we adore thee!) Imagine here a silky pair of 1920s pyjamas worn with heels to a party, citrus swirled with honeyed, night-blooming flowers, powdery iris on a vanilla-plumped base, incense on the breeze: the perfect perfumed romance.
Master perfumer Jean-Claude Ellena’s back catalogue could likely fill a list of ‘50 fragrances you should try’ in its own right, but the standout success of this when it launched in 2006 has shown no signs of slowing. Why? It’s the so-structured woodiness that’s riven with vivacious grapefruit, the sheer spices enlivened by a suavely handsome, distinctly flinty vetiver. Sublime.
Reinventing the scent of water to become chicly covetable, as only Issey Miyake truly could. The beautiful transparency of lotus flower and freesia is rippled through with lightly handled lily, rose and carnation; perfumer Jacques Cavallier then delicately dusted peony petals and rested the composition on a smoothly woody base tickled by a swirl of white musk. It still whispers, beguilingly.
Created by now well-known fragrant maestro Francis Kurkdjian while fresh out of perfumery school, it was quite the olfactory debut in 1995. Taking the outlines of a traditional fougére, the lavender and mint are salt-licked and distinctly salacious, while vanilla, almond-like tonka bean and orange-blossom are positively addictive, and the cumin naughtily skin-like. Ahoy there!
Have you ever found a fragrance you love, but it just doesn’t last long enough? Or, maybe you’ve been given a bottle as a gift, but it’s just not ‘you’? These are problems that feel even more prescient in the current economic climate, when we’re all looking to ‘waste not, want not’ and make the best of what we have.
Perhaps you have scents you used to adore, but you’re not in a current relationship with them anymore because your tastes have changed? Or you want to be braver in 2023 and break out of your comfort zone, but don’t know where to begin? If any of these apply to you – or you’d simply like to know how to make any perfume work harder for you – this guide allows you to get the very best from any fragrance…
#1 – Improve your sense of smell
Absolutely everyone can benefit from this – we’ve had people from normal perfume-lovers, complete novices to industry professionals telling us how trying these techniques have changed the way they smell for the better (for good). This doesn’t mean suddenly gaining the ability of being able to detect every single ingredient within a bottle of perfume, but rather learning to train your nose the way a perfumer does: by deeply exploring the emotions it makes you feel, colours, textures, places and people it reminds you of.
Here are a few simple tips to try every day:
– Spray a scent on a blotter, preferably; close your eyes and keep sniffing for several seconds, then take the blotter away, inhale deeply, and re-sniff the blotter again. Repeat this for a minute or so, and then begin writing a few words in a notebook. It doesn’t have to be a description, and it shouldn’t ‘list’ notes – try to use words that make you think of other things. For example…
– If this scent were a fabric, what would it be? What colour? If you made someone an outfit from that fabric, who would they be, where would they be going?
– If it were a piece of music, what instruments would be playing? Is it classical, rock music, pop, rap or jazz?
Really attempt to get past trying to pick out individual notes, or (if you’re not initially keen) thinking ‘I don’t like this’. Focus instead on the mood it’s creating. The images that come to mind, memories that are triggered, places it makes you think of. Thinking about fragrances in a more abstract (but still personal to you) way helps evaluate them more clearly.
#2 – Make your perfume last longer
If the reason you don’t like a perfume is because it just seems to ‘disappear’ on your skin, you’re not alone. We often find those with dry skin have this problem, and it’s even thought genetics and things like hair colour may play a part. Scientists are still finding this out, but while they do, there are ways you can make perfume last far longer:
– Try using a body oil, rich body balm or moisturising lotion before you put any fragrance on (and even afterwards, too), as scent takes longer to evaporate on nourished skin. This helps the fragrance ‘cling’ to your skin more easily, and so you get to actually smell if for more than a few minutes without frantically re-spraying.
– Spray pulse-points you might not usually think of. Behind your knees is a good example – it’s a warm spot that, once spritzed, will mean you leave a fragrant trail…
– Spritz the perfume at the nape of your neck, even into your hair and on clothes – BUT do check by spraying a tissue first that it isn’t going to mark your hair or fabric a strange colour, or leave an oily residue! We adore this way of wearing perfume, as hair and fabric are porous without heating up as much as your skin, allowing the perfume to stay all day.
Spraying a fragrance on to a scarf is a particularly good idea if you want to ‘try on’ a new (perhaps rather more personally challenging) scent but don’t want to commit to it all day.
#3 – Store your fragrances correctly
Fragrance certainly doesn’t last forever – but storing it correctly will help preserve the quality and lifespan of your perfume. The key is to keep it away from light and heat – so a bathroom, or a sunny dressing table, is NOT the place for your fragrance stash: higher temperatures affect the top notes of fragrance, making them musty, or more sour.
– If you have a dark cupboard to store perfume in, or a drawer, that’s perfect. (Ideally, keep in the box, or – if you’re using a drawer – wrap bottles in a scarf, or even plastic, unglamorous as that is. Be aware that perfume that’s never been opened and kept in a dark place can last more than 40 years…!).
– If you can’t manage that environment, store on a shelf that doesn’t get direct sunlight, in a not-too-hot room. Then once a bottle is open, you should get up to two years’ life out of it (we’ve had fragrances that last much longer…) Lighter, citrussy scents deteriorate faster than opulent florals…
– You may find you get a better life out of a spray bottle than a splash: if you touch the glass to your skin, and oil from your body gets into the bottle, that can affect the lifespan of your perfume, too: touch your skin to the rim of the bottle – and don’t use stoppers for application, as they are in contact with the contents. NB Dark glass preserves scent for longer than clear versions.
#4 – Learn how to layer
Layering fragrances used to be seen as a scent sin, but we’ve all gotten over ourselves a bit (well most of us have). You don’t have to do this to a perfume you already love on its own – why would you need to? – but there are brilliant ways of beefing-up a sadly flimsy fragrance, or adding a zing to something that’s a bit too dark or cloying on your skin. Give it a go, because, as we always say: perfume isn’t a tattoo – if you don’t like it, you can wash it off!
– Add power: ramp it up by adding more base notes like patchouli, labdanum, vetiver, woods or musk.
– Add freshness: look for citrus notes like bergamot, neroli, lemon, lime or ‘green’ notes such as galbanum, tomato or violet leaf, green tea, marine/aquatic accords (synthetic recreations of sea-like, watery smells) and aldehydes (often desribed as being like Champagne bubbles).
– Add beauty: find a scent too ‘harsh’ or clinical? Look to layer it with decadently velvety or lusciously fruity rose oils, the sunshine-bottled scent of orange flower, a heady glamour of tuberose or a luminescent jasmine; try an apricot-like osmanthus flower, the fluffiness of mimosa or the powdery elegance of iris/orris.
– Add sweetness: vanilla and tonka bean can ’round’ a perfume, making it swoon on your skin (and addictive to smell), as can touches of synthetic notes described as ‘caramel’ or ‘dulce de leche’, ripe fruits, chocolate or even candy floss. Try to add less than you think you need, as adding more is always easier than taking away, and a little of these can go a long way!
For layering any of these, you can either try wearing them over other fragrances you have in which the above notes dominate, with a single-fragranced ‘soliflore’ (one main note) fragrance oil or spray, or try layering the scent you don’t currently like over a differently perfumed body lotion or oil.
#5 – Turn it in to a part-time perfume
There are days we feel the need to try something completely different, but perhaps don’t want to be stuck with that scent all day, so what to do?
– Consider spraying a scarf (preferably not silk or a light colour, unless you’ve patch-tested it first!) with this perfume you’re unsure of, that way if it gets a bit ‘too much’ or you want to wear something different, you can simply take the scarf off and you’re not committed to having it on your skin for hours. If you’re unlucky enough to work in a place that’s banned the wearing of strong scents (or even, in some offices, all perfumes – quelle horreur!) this is also a really useful way to wear a perfume you can quickly remove.
#6 – Consider the climate (and your mood!)
Did you know that the weather, your mood and even what you ate up to *two weeks ago* can dramatically alter how scent smells on your skin? Skin and climate temperature are vital to a perfume’s performance, so even your favourite fragrance will smell different based on the time of year. When perfumers test the scents they’re creating they often use climate-controlled booths to check how they smell in hot and colder conditions (depending what countries they’ll be selling in). Don’t re-gift until you’ve tried the perfume again later in the year, or even on holiday (remember those?)
– Similarly, strongly spiced foods can change how a perfume smells on your skin, and when testing fragrances under lab conditions, the ‘skin model’ volunteers they use are often specifically asked to refrain from eating such foods up to two weeks prior to testing, so the perfumers can smell a ‘true’ representation of the scent. Though sometimes the reverse is true: if a fragrance is to be mainly sold in a country where people eat lots of spicy foods, the ‘skin models’ are asked to replicate that diet to ensure the scent works efficiently.
– We now know that mood and hormones play an important part in how we select a fragrance – try a scent when you’re feeling a particular way, and it colours how you feel about the fragrance itself. If you’re feeling stressed or upset, a bit under the weather or just overwhelmed, these are not ideal conditions for testing out something new. Wait until you’re feeling calmer, or simply have more time to really explore what you’re smelling.
#7 – Give it time
If you follow all this advice and still find yourself out of love with a fragrance, keep it awhile and come back to it. If you still hate it, hold a scent swapping party with some pals. But BE SURE. There’s nothing worse than waking at 3am in a cold sweat because suddenly you’re craving that scent you so kindly passed on to a friend, and then having to buy another bottle. So, don’t be too hasty. Every perfume lover has, at some point, made this mistake, and it stings. Oh how it stings. And that somehow makes the longing all the more intense, like guiltily having lurid fantasies about a distant ex who’s since hooked up with someone else. I once did this with a bottle of perfume that’s since been discontinued (now changing hands for silly money on eBay), and it still haunts me to this day. Learn from my perfume pain!
You can read more expert tips and tricks in the Frequently Asked Questions section, but if I could just ask one thing of you before you go? Don’t save all your favourite fragrances ‘for best’, or feel guilty about wearing and loving them. Of course you can change them up with more affordable scents, and make them last longer by doing all the above; but if the last few years have taught us anything, it’s to allow yourself pleasure whenever you can get it. A really wonderful fragrance gives you a far greater bang for your buck than the majority of things (legally) available out there, so yes, make them work harder; but god let us enjoy them exuberantly, too!
How to buy fragrance at Christmas? Where do you even begin? Well, right here with The Perfume Society‘s everything-one-click-away guide! From nervous noses to designer divas and scented gents or even fussy family or friends.
Christmas is always the most scented season, but present-buying panic can set in (we all know the feeling), so we’ve collated a guide to help you start (and finish!) your shopping right now…
When you’re not sure exactly what scent to get them for Christmas, or are sick of giving loved ones the same old thing, our overwhelming feedback from happy customers suggests a Discovery Box is definitely the way forward. Bursting with luxurious and often hard-to-find mini, try-me size scents and decadents beauty extras, each box is specially curated around a theme or with a particular kind of perfume-lover in mind.
At The Perfume Society, we’ve something to suit everyone, no matter how picky about perfume they are! From designer name divas to scented gents about town, millennials desperate to discover what suits them best and those keen to branch out with something different – see how many gifts you can tick off your shopping list in one fell swoop (and all from the comfort of your sofa/desk/bed…)
The perfect treat or gift filled with a curated edit of those fragrances we believe men simply must have, this collection of male and unisex fragrances features globally adored best sellers and just launched scents from THoO, Jeroboam, DSquared2, Paco Rabanne, Bentley, Jean Paul Gaultier, Versace & Initio! Those wishing to expand their collection will delve and get ready to be truly addicted to their new favourite fragrance(s)….
Featuring fragrances chosen to make your gift recipient feel truly special (particularly for someone who’s had a tough time and deserves to feel their best again) this box is bursting with newness from Floral Street, Comme des Garçon & Caroline Herrera, plus the incredible artistic beauty of Sarah Baker Parfums. Let them dive into the best scents the fragrance world has to offer (and extra pampering treats for the colder weather from Skinsense and Stories Parfums).
Know someone who’s been seriously stressed? (Maybe even YOU deserve a treat?) Recent world events have left us a little off kilter, so here at Perfume Society HQ, we decided to put together the perfect gift box of fragrance to help everyone achieve a better sense of equilibrium. We’ve brought together fragrances that have been purposely designed to induce a sense of calm and help cope with all life has to throw at us, perfumes for grounding us in natural surroundings, and there are also scents for boosting inner strength. Click on the link to discover each item individually…
For the most suave and chic of your perfume-loving pals, here’s a box that swaggers with charm and sophistication. Filled with fragrances from some of Britain’s finest brands – both classic and utterly contemporary names – to help them find their new fragrant passions. Indulging in these voluptuous, classic scents and new launches all from within the UK will keep them feeling confident (and let them know how much they are loved!) Smart…sexy…elegant – this is a box that has it all, and then some, in scent appeal.
Oudh (often also spelled oud) is omnipotent – way beyond the ‘trend’ it was first thought of when it began wafting in the fragrance aisles of the Western hemisphere, it’s practically become its own perfume family. Though beloved in the Middle East and in many cultures around the world for centuries, there are some who still clutch their pearls a little at the mere mention of the word, let alone a whiff of that ultra-woody, multi-faceted fragrance.
But all oudhs are not the same beast (though they can indeed be redolent of the farmyard), and just as with any fragrance ingredient, depending on the type, quality and quantity the perfumer has used, the over-arching olfactory effect can be massively different. Think of it like giving a cheese naysayer to a slab of blue-veined Stilton as their very first taste, or an oozingly ripe Camembert – perhaps a more gentle intro might have been a nibble at a mild Cheddar, or the cool, crumbly creaminess of a Wensleydale? It’s the same with any potentially heady ingredient in a fragrance, you might want to dip your toes in a softer evocation before drenching yourself with the olfactory equivalent of an offensive weapon.
Before we dive in to the fragrances themselves, let’s start with a 101 refresher on what oudh actually is…
WTF is Oudh, anyway?
The resinous heart-wood from fast-growing evergreen trees – usually the Aquilaria tree – oudh is actually agarwood: a result of a reaction to a fungal attack (stick with us, here), which turns this usually pale and light wood into a deliciously dark, resinous wood with a distinct fragrance. From that ‘rotten’ wood, an oil is made, then blended into perfume, and the highly scented wood of the tree can also be burned – often at prestigious or religious occasions and celebrations, such as marriage ceremonies – because it’s believed the fragrant smoke creates harmony, removing negative energies from sacred spaces.
What does it smell like?
The aroma of natural oud is distinctively irresistible and attractive often with bitter sweet and woody nuances: seriously earthy (and in small quantities, seriously sexy). It can equally be fresher, softer, reminiscent of a romp in a hay barn, or the dry grasses of a meadow on sweltering summer day. Because of how long it takes to produce, and the protection of Aquilaria trees (in a similar way that sandalwood is now highly protected and restricted), as an alternative, perfumers have often now turned to synthetic oudh. Highly trained noses will tell you that the synthetic version can smell plainer (thinner), more woody and leathery, but without the rounded, warm, ultra-animalic and balsamic qualities of the original. Of course, in many compositions this may be desirable and, therefore, more suitable than natural oudh.
Why is it so expensive?
Collection of agarwood from natural forests is now illegal under CITES (the Convention on International Trade in Endanged Species of Wild Fauna and Flora), but some is now beginning to be plantation grown in Vietnam. This process can take hundreds of years, hence the high cost – it’s also known as ‘liquid gold’ – the scarcity of the real stuff, and why sythetic oudhs may be blended with a natural ingredient, or used instead of.
A really good introduction to how oudh can be used in a nuanced way – almost as a seasoning instead of the main flavour – this one is actually delicious (as in, if it came in a jar, I’d want to slather it on buttered toast and guzzle it, or perhaps slather myself in it and roll on a meadow). The dark, spiced honeyed note deepens as the oud kicks in. Intensely nuzzle-able, there’s nothing whatever to frighten the horses, here.
Floris Honey Oud from £22 for 10ml eau de parfum florislondon.com
Using pure oudh oil from their own plantations, Fragrance du Bois weave woodiness through a salt-tinged sea breeze wafting mandarin’s freshness, and the cool, cardamom-infused whoosh of mountain air. Warming the heart with a resinous, gilded gleam of frankincense and warm amber, the oudh wraps sacred onycha (an ancient spice added to incense) and sweet myrrh in the kind of heavenly mistiness that invokes rapture.
Fragrance du Bois Oud Bleu Intense £295 for 50ml eau de parfum jovoyparis.uk
Unashamedly salacious, the Turkish and Bulgarian roses entwine with gently powdered violet for an evocation of bare limbs caressed by silky sheets; add to this mental image a silver bowl of decadent white chocolates decorated with violets, slowly melting into your sensorially satiated smile. An animalic smokiness underpins the sensuously draped covers, making this the perfect after-dark fragrance for illicit encounters…
Maison Francis Kurkdjian Oud Satin Mood £215 for 70ml eau de parfum selfridges.com
Described as ‘the olfactory projection of silence’, you can guess this one is hushed, evoking a gentle yet meaningful glance which fosters an immediate understanding, a merging of souls. But you don’t need to relate to the esoteric explanation. Simply delight in the pairing of blossom-y florals rippled with raspberry and a drift of tobacco, the smoothest Iranian oud billowing to benzoin, white spruce and airily transparent musk.
The House of Oud Empathy £220 for 75ml eau de parfum harveynichols.com
‘What fragragrance to wear at your / a wedding’ perfume guides are plentiful, but almost exclusively aimed at women (either as brides, bridesmaids or guests). This isn’t a phrase you’ll often hear me utter in life, but: ‘what about the men?‘ Sometimes they attend weddings, too. Sometimes (more frequently than ever, these days) they even like to smell nice. While the ripples of shock subside, I present for your delectation a guide that proposes [warning: other puns will follow] a selection of scent suggestions for men to wear at a summer wedding, and exactly how to go about finding the perfect one…
What are youwearing?
Yes, okay, extremely likely to be a suit if you’re in the Western hemisphere, but think about the colour and material. Our senses are complexly intertwined, so tones and texture of fabric can genuinely give you a head-start into fragrance families to look for. Silk blends suggest cool, smooth compositions perhaps with cardamom or sandalwood as notes, while light wool might suggest a drier, woody scent – something with cedar, vetiver or guiacwood in the base.
Even consider ‘matching’ the colour of your suit to the packaging or bottle a brand has put their fragrance in – they spend considerable amounts of time and money ensuring the way a fragrance looks evokes something of the way a composition smells. If your suit is black or grey, look instead at the accessories (tie / cravat / handkerchief) – dark red or plum colours could lead you to an opulent rose (yes, it works amazingly on men’s skin and features in many masculine launches of late!) or something with berries, pink pepper fruity notes.
This isn’t a strict guide, because everyone has differing opinions on what certain colours ‘smell’ like; but it’s a starting point. And when you’re suddenyl struck wide-eyed with terror at the overwhelming choice in the perfume shop aisle (before heading up the aisle to the altar), you need somewhere to start.
If you already love a fragrance but want to try something different
It’s a good idea to have a differing scent for a wedding – particularly if you’re the one getting married – because smell is the sense that’s most closely plugged into the section of our brain that stores memory and emotions; therefore, you can tap into those happy times again whenver you wish, simply by spraying that particular scent again. Also, we hope you’re treating yourself to a new outfit, not just whatever happens to be the cleanest and least-creased thing knocking about on the bedroom chair; so why wouldn’t you wear a new scent, too?
Have a look at our genius Fragrance Finder – simply input the name of a scent you already wear, and it’ll give you SIX suggestions of new fragrances to try with similar notes, themes or ‘feel’ about them, all in differing price ranges. It REALLY works – just try it for yourself to see!
Know your skin type.
Fragrance can waft fabulously on some people for hours, while that same scent might only have a mere whiff left after an hour of you wearing it. It depends, basically, on how oily your skin is naturally, and the climate you’re in. Fragrances are generally composed of oils in an alcohol base, and these evaporate at differing rates (hence Top / Heart / Base notes); so the drier your skin, the hotter the weather, the more quickly your scent will disappear.
If this is your experience, you might want to avoid a scent that’s mainly citrus-based or a very light formulation (such as Cologne) as those notes can evaporate within half an hour; though having said that, modern advances using aroma chemicals can help vastly prolong some citrus scents. See if the fragrance has an Eau de Parfum or ‘Intense’ version – these have a highter fragrance to alcohol base ratio so last much longer – or layer with matching products such as shower gel and body lotion. The more moisturised your skin, the longer the fragrance will cling to it.
Also consider carrying a pocket-sized version for on-the-go top-ups – many houses offer travel sizes, or you can buy brilliant (and very stylish) mini atomisers, such as Travalo, in which you can safely decant from your full-size bottle.
BRIONI Brioni
Characterful, suave and assured as the perfectly tailored menswear it’s the fragrant emblem of, founded in Rome in 1945, the pared-back style is perfectly reflected in Master Perfumer Michel Almairac’s hands. Green apple studded with pink pepper feels like a cool sip of gin, while violet and Ambroxan are perfectly blended with tonka bean and musk, like a second skin. Instant classic, aisle be bound! [You were warned about the puns], and there’s two other versions – one fresher, the other an Intense – also available. £95 for 100ml eau de parfum (60ml exclusive to retail) brioni.com
DUNHILL Icon Racing Red
There’s some extra pep in this engine – perhaps the sizzle of spicier notes with the warm glow of that rich amber base does it, but nonetheless we can say the red is rather racier than its somewhat sleeker (but still fabulous) Racing Blue garage-mate. Sun-filled solar notes remind us of driving, top down, ‘round winding lanes on holiday (perhaps pressaging the honeymoon?) with a carefree abandon, the zing of the citrus speeding the verdant freshness of leafy fern and geranium – a welcome reception before the nuzzle-me-closer frankincense-y infused church pews base kicks in. £94 for 100ml eau de parfum fenwick.co.uk
PENHALIGON’S Constantinople
One for gents that desire being veiled in something more opulent and exotic, this highly refined, almost leathery iris feels like an intricately carved wooden shutter suddenly flung open to welcome evening air and blazing skies, a tang of salty shores nearby carrying waves of delicate, powdered spices on the breeze. Beneath an earthy, mossy layer nestles seams of liquid vanilla, milky ripples later reflect moonlight, harbouring the expectation and tingling anticipation of tonight’s nuptial adventures… £178 for 100ml eau de parfum penhaligons.com
GIORGIO ARMANI Acqua di Giò EDP
Requring the comfort of familiarity with a fresh feel? ‘An eternally iconic fragrance reinvented for the future’, this new interpretation reflects Armani’s sustainability commitment. Aromatic and luminous, the consciously-sourced ingredients fizz with the freshness of green mandarin, lightly musky, tobacco-like notes in the clary sage heart, and a sheer yet enduring patchouli essence. An instant hit when it was launched in 1996, this so-stylish contemporary and eco-conscious (refillable) update is to be celebrated again – Alberto Morillas working his magic with the planet in mind. £98 for 125ml eau de parfum boots.com
PARFUMS DE MARLY Greenley
A distinctly greener vibe for this much-loved niche house, bringing the feeling of a contemporary Cologne but (importantly) with the benefit of far greater staying power in a concentrated eau de parfum. Bursting with citrus up top, the petitgrain grants an immediate freshness, a fruity interpretation of cashmere wood fused with crisp apple and the shady cool of violet. Amberwood ripples throughout, making this feel like a much-needed stroll through the woodlands if you’re feeling the need to escape the wedding-planning madness. £175 for 75ml eau de parfum harrods.com
Juicy mandarin is married here to the powerhouse icon that is Molecule 01 – the first fragrance that propelled this house’s perfumed fame. The sophisticated freshness just keeps on going (and helps you hang on) thanks to perfumer Geza Schoen. ‘I’ve touched it up with a little extra shading to extend it, adding a mandarin ingredient used in flavourings to give it super-juiciness’ he explains. Then the warm-skin purr of ISO E Super sashays in: ‘That’s unusual – for a top note ingredient like Mandarin and a base note like Iso E Super to dance together naked like this, without other notes coming between them.’
Here’s a thought – if you’re nervous about that first dance, or ‘dad dancing’ as a guest, simply spray the M+ Mandarin and imagine everyone naked. Well. Maybe not everyone, depending of course on how you feel about your in-laws. But seriously, the right fragrance truly can give you an extra boost of confidence, helping you feel stronger and energised throughout the day as well as making scent memories to last a lifetime. I so hope this little guide has given you some help to finding yours…
‘Did you ever sleep in a field of orange-trees in bloom? The air which one inhales deliciously is a quintessence of perfumes. This powerful and sweet smell, as savoury as a sweetmeat, seems to penetrate one, to impregnate, to intoxicate, to induce languor, to bring about a dreamy and somnolent torpor. It is like opium prepared by fairy hands and not by chemists.’ ― Guy de Maupassant, 88 Short Stories
Orange blossom is beloved by perfumers in light-filled ‘solar’ scents – a newly emerging category, and a word I’ve found increasingly used for fragrances which aren’t merely fresh, but attempt the alchemy of bottling sunshine.
It’s the bitter orange tree we have to thank for these heady white blossoms – one of the most benificent trees in the world, for it also gives us neroli, orange flower water and petitgrain – all utterly unique in smell, from verdant to va-va-voom depending how they are distilled and the quantity used in a fragrance.
Originating from Asia, the bitter orange was introduced to North Africa by crusaders of the VIIth century, and now it’s just six villages in the Nabeul region of Tunisia that provide the majority of the world’s crop. Women do most of the harvesting, the pickers swathed in headscarves climbing treacherously high-looking ladders to reach the very tops of the trees, typically working eight hours a day and gathering around 20,000 (approximately 10kg) of flowers.
When the blossoms are hydro-distilled – soaked in water before being heated, with volatile materials carried away in the steam to condense and separate – the extracted oil is neroli, the by-product being orange flower water, while petitgrain is the essential oil steam distilled from the leaves and green twigs.
Long steeped in bridal mythology, when Queen Victoria married Prince Albert in 1840, she chose orange blossom to decorate her dress, carried sprigs in her bouquet and even wore a circlet of the blossoms fashioned from gold leaves, white porcelain flowers and green enamelled oranges in her hair. It firmly planted the fashion for ‘blushing brides’ being associated with orange blossom – but this pretty flower can hide a naughty secret beneath its pristine petals…
While the primly perfect buds might visually convey a sign of innocence, their heady scent can, conversely, bring a lover to their knees with longing. In his novel The Leopard, Giuseppe Tomasi di Lampedusa chronicles crossing an orange grove in full flower, describing ‘…the nuptial scent of the blossoms absorbed the rest as a full moon does a landscape… that Islamic perfume evoking houris [beautiful young women] and fleshly joys beyond the grave.’
It’s the kind of floral that might signify sunshine and gauzy gowns or veritably snarl with sensuality. Similar to the narcotic addictiveness of jasmine, with something of tuberose’s potency; orange blossom posesses none of that cold, grandiose standoffishness of some white florals: it pulsates, warmly, all the way.
Perfumer Alberto Morillas associates the scent of orange blossom with his birthplace: ‘I’m from Seville, when I’m creating a fragrance, all my emotion goes back to my home,’ Alberto told me, talking about his inspiration for Solar Blossom (below). ‘You have the sun, the light and water – always a fountain in the middle of the square – and “solar” means your soul is being lifted upwards.’
Oh, how we need that bottled sunshine when summer fades; an almost imperceptible shifting of the light that harkens misty mornings, bejwelled spiderwebs and sudden shivers…
Why not swathe yourself in these light-filled fragrances to huddle against the Stygian gloom? I love wearing them year-round, to remind me sunny days will return, that things will be brighter, presently.
Mizensir Solar Blossom Luminescent, life-affirming, a shady Sevillian courtyard with eyes and hearts lifted to the glorious sun, ripples of laughter and birdsong.
£185 for 100ml eau de parfum harveynichols.com
Sana Jardin Berber Blonde A shimmering haze of Moroccan magic, orange blossom diffused by dusk, a languid sigh of inner contentment. £95 for 100mlsanajardin.com
Stories By Eliza Grace No.1 Waves of warmth giving way to fig tea sipped beneath the shade of whispering trees, bare feet on sun-warmed flagstones, fingers entwined, forever dancing. £75 for 30ml eau de parfumelizagrace.com
Elie Saab Girl of Now Youthful sophistication via juicy pear and pistachio sway to opulent orange blossom at this fragrance’s marzipan heart, melding to a carefree, dreamy base. £42 for 30ml eau de parfum (but try a 2ml sample in the Eau So Fresh Discovery Box)
When describing types of fragrance, the term fougère can seem bewildering – both the meaning and how on earth to pronounce it.
French for ‘fern-like’, you say it ‘foo-jair’ (with the ‘j’ a little soft – almost ‘foo-shair’), when you think of a fern’s smell, what comes to mind? Whatever you think of, that smell memory is quite likely to have been influenced by Houbigant’s Fougère Royale – created in 1882 by Paul Parquet, and much copied by those who clamoured to achieve a measure of its success.
While we might imagine a shady-forest smell emanating from a fern, the majority aren’t fragrant to any great extent. And although the ingredients so key to Parquet’s original accord – oak moss, geranium, bergamot and (most notably) coumarin – are now collectively referred to as ‘fougère’ (often with lavender or other aromatic herbs thrown in for good effect), it’s the alchemy of the perfumer recreating that ‘natural’ smell memory: the whole woodland seemingly wafting from the bottle.
“Gathering Ferns” (Helen Allingham) from The Illustrated London News, July 1871.
Some time before Parquet’s fragrant foragings, ‘fern mania’ was sweeping the nation, and it caused an amount of worry when women began wandering, sometimes alone or – worse! – gambolling with groups of young man in the woodlands, in search of their charms… What business had women convening with nature outside of their perfectly manicured cottage gardens? Well, ‘Pteridomania’, meaning Fern Madness or Fern Craze was the term for this frenzy, coined in 1855 by Charles Kingsley in his book Glaucus, or the ‘Wonders of the Shore’. In it he sought to reassure anxious parents:
Your daughters, perhaps, have been seized with the prevailing ‘Pteridomania‘ … and wrangling over unpronounceable names of species (which seem different in each new Fern-book that they buy) … and yet you cannot deny that they find enjoyment in it, and are more active, more cheerful, more self-forgetful over it, than they would have been over novels and gossip, crochet and Berlin-wool.
So – society’s nerves soothed and the morals of females intact – the time was ripe for fern fragrances to unfurl; but it took a unique olfactory discovery to kickstart that particular perfume craze.
It was the extraction of coumarin – one of the first synthetics to appear in perfumery – which made the fougère such a landmark scent. But how many people outside the industry would be able to describe coumarin’s smell? Not many, I’m guessing.
A plate from The Ferns of Great Britain and Ireland, a book from the era of Pteridomania.
Coumarin is found in tonka beans and cinnamon, but also occurs naturally in bison grass and green tea. It’s classed as a ‘lactone’ – (milky, skin-like) – a complex molecule that’s the scent of sweet hay drying in the sunshine with a slight waft of warm horse; a cold glass of fizz sipped on newly-mown grass, a fine cigar fresh from the humidor, a warm cookie dunked in cold milk. All of these things and not one in particular: the scientist’s hand working in harmony with the artful perfumer to create a magical realism. Because the true skill of a perfumer is to take ingredients and transform them into something we think we already recognise, sparking those scent memories and creating new ones to fill the gaps.
In fact, Parquet was called the ‘greatest perfumer of his time’ by no less than Ernest Beaux, the creator of Chanel No. 5, and was the first to truly understand and appreciate the use of synthetic aroma materials in fragrance composition. Previously used as mere substitutes for naturally derived raw materials, Parquet saw a chance to deploy them as unique smells in their own right – adding structure, poetry and space within perfumes that sought not to mimic the natural world but to add to it, to improve on perfection. And so the fougère fragrance family was born.
Traditionally seen as a scent for the chaps – possibly sporting tweed and a monocle – in fact Guerlain’s masterpiece of Jicky, launched in 1889, is a more ‘feminine’ fougère (the first unisex scent, too) which ramped up the crackle of dry lavender, adding sweetly mown hay and toasted almond-like flourishes of coumarin. More recently, we’ve seen an increasing number of gender-fluid fougères striding forth – perhaps chiming with our collective urge to ‘return to nature’ during the pandemic; or simply an urge that preceded Covid-19, a perfumed riposte to political unease?
Whatever the reason, the resurgence of the fougère is to be celebrated. Cooling on steamy days, comforing in more inclement weather, these are the type of scent to boost your spirits while patting your hand and telling you everything’s going to be okay. Wander into the woodland yourself, awhile, and try these fougères – from classical forest to contemporary fairytale…
Houbigant Fougère Royale A sprig of herbs carefully tucked into the lapel of a herringbone jacket, the olive from a dry Martini sucked in a slightly lascivious manner while they’re looking the other way. £130 for 100ml eau de parfumlibertylondon.com
Guerlain Jicky Somewhere between breakfast and midnight, fog-shrouded moorland; pale wool blanket clutched close, bare feet on flagstones, forbidden hipflask swigged reading Wuthering Heights. £96 for 100ml eau de toilettehouseoffraser.co.uk
Yves Saint Laurent Kouros Freshly-scrubbed and shining with smooth words and practiced simplicity, but clean sheets cannot hide the indiscretion and animal instincts of the night before. £50 for 50ml eau de toilettetheperfumeshop.com
Creed Viking Cologne A bountiful burst of freshness leads to explorations of verdant landscapes re-awakening; geranium, herbs, lavender and nutmeg atop glacial lakes reflecting shinshine. £175for 50ml eau de parfum creedfragrances.co.uk
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Milano Cento HIM A woodland wander with someone dashingly Italian (who knows not to wear sandals with socks), the citrus breeze segues to an herbaceously dappled grove and aromatic amour. £49 for 100ml eau de toiletteroullierwhite.com
4160 Tuesdays The Lion Cupboard Ferns pressed between pages of a diary, love letters tied in faded ribbons, a lipstick kiss on a foxed mirror, silk scarves with the faint tang of a gentleman’s Cologne. £55 for 30ml eau de parfum 4160tuesdays.com
Partere Run of the River A bare-foot meander through clover-strewn lawns, budding freshness in the air, lemon-thyme and clary sage encricled by a languorous caress of incense and oakmoss. £95 for 50ml eau de parfumparterrefragrances.com
Travalo atomisers £28 
Houbigant Fougère Royale A sprig of herbs carefully tucked into the lapel of a herringbone jacket, the olive from a dry Martini sucked in a slightly lascivious manner while they’re looking the other way. £130 for 100ml eau de parfum 
Guerlain Jicky Somewhere between breakfast and midnight, fog-shrouded moorland; pale wool blanket clutched close, bare feet on flagstones, forbidden hipflask swigged reading Wuthering Heights. £96 for 100ml eau de toilette 
Yves Saint Laurent Kouros Freshly-scrubbed and shining with smooth words and practiced simplicity, but clean sheets cannot hide the indiscretion and animal instincts of the night before. £50 for 50ml eau de toilette 
