Bravo for bergamot! Citrus sparkle for colder weather

Clinging to the craggy Calabrian coastline, bergamot trees gleam like polished jade against rock and sea, their glossy leaves and peculiarly knobbly fruits belying the fact that this is one of perfumery’s brightest, most hard‑working ingredients. And here we say: bravo for bergamot!

Let’s delight in this fragrant treasure…

Harvested from October to February, the citrus spheres swell from vivid green to sun‑tinted yellow, often so weighty they snap delicate branches, yet only around a hundred tons of true bergamot oil are produced each year. It remains a crop that stubbornly refuses to thrive anywhere else with the same complexity – a scented secret jealously guarded by this small corner of southern Italy.

Inside that rough skin lies an oil that perfumers treasure for its astonishing range – from effervescently fresh and almost floral in October to more peppery, zesty and herbaceous by February. Scraped from the peel with traditional ‘peeler’ devices, the deep green essence emerges as a rounded, many‑faceted material that can feel like sunshine, silk and cool stone all at once. As perfumer Pia Long so perfectly puts it, bergamot is a ‘wonder material’ with so many facets that other notes can effortlessly ‘hook onto’, the Little Black Dress of perfumery that simply ‘goes with almost anything’.

 

 

 

 

No wonder the top noses so often single it out as their most‑used ingredient, even if it rarely gets the diva treatment reserved for more glamorous notes. It was there at the birth of modern perfumery in the early 1700s, sparkling through Farina’s original Eau de Cologne and effectively founding the entire ‘fresh’ olfactory family. Centuries later, Sylvie Ganter of Atelier Cologne still calls bergamot a ‘happy fragrance’ note – ‘sparkling, joyful and elegant’, bringing light and transparency even to dense woods and oudh, and making her smile as if she’s ‘on vacation’ each time she wears it.

Guerlain’s Thierry Wasser goes further, describing bergamot as ‘the alpha and omega of Guerlain’, the joyful, smiling burst that opens everything from Eau de Cologne Impériale to La Petite Robe Noire. For him, it is ‘lightness’ and ‘a bursting side to the head notes’, sourced meticulously from long‑term partners in Calabria and declared, with affectionate flair, ‘a staple, darling! We love it!’ Shalimar, often thought of purely as a grand vanilla‑amber Oriental, secretly leans on an astonishing 30% overdose of bergamot to keep its depths buoyant, what perfumer Sophia Grojsman once described as ‘dark but transparent’ – a near‑impossible effect without that citrus radiance.

In winter, bergamot becomes not just refreshing but deeply, almost soul‑reviving: the olfactory equivalent of opening a window in a stuffy room and letting a cold, bright wind swoop through. Its energy works like a wake‑up call for perfumes that might otherwise feel too heavy in low temperatures, adding lift, movement and an extra sparkle against wool coats, scarves and frosted air. Top notes that might seem fleeting in summer suddenly feel longer‑lasting on chilled skin, so that first whoosh of bergamot hangs like a halo over the darker notes beneath.

 

 

 

 

Bergamot’s magic lies in the way it ‘marries’ tempestuous florals with earthy, resinous bases, smoothing any rough edges so the composition feels seamless – the invisible hand that turns potential clashes into chemistry. Think of it as sunlight through stained glass, illuminating every colour rather than outshining them; or like the first sip of Earl Grey tea, where that airy citrus lifts the tannic heft of black leaves. Bergamot does the same for fragrance structures, adding an almost tea‑like floralc-y and gentle sparkle that reads as sophistication rather than spiky sharpness.

There is science to this serenity, too. In the 1970s, when a component called bergapten was found to be phototoxic on sun‑exposed skin, demand for bergamot oil crashed and synthetics rushed in to fill the gap. But natural bergamot proved irreplaceable, and new production methods that remove those risky molecules – creating ‘bergamot FCF’, or furanocoumarin‑free oil – allowed perfumers and perfumistas to breathe a sigh of relief and return to the real thing. Today, bergamot is once again a pillar of citrus, chypre, woody and even gourmand compositions, lending uplifting brightness without any scrubbed‑out austerity.

 

 

 

 

For perfumer Lyn Harris, bergamot is one of the ‘most important’ citrus oils precisely because it is so beautifully balanced: rounded, versatile, a perfect base for any citrus bouquet and equally at home enlivening chypres and Orientals. Pierre Gueros notes that while lemon, orange and grapefruit are used for sheer impact and fruity freshness, bergamot is prized for its tea‑and‑lavender nuances, its lack of harsh edges and its ‘soft, classical sparkle’. In the Middle East, he found it to be the only citrus acceptable in fine fragrance because it was not associated with cleaning products – a telling reminder of how elegant and knowingly nuanced this material feels on skin.

And in colder months, that elegance translates into a very specific kind of comfort: not cosy, exactly, but quietly exultant, like crisp winter sunlight glittering on snow. Bergamot‑rich scents can be exhilarating yet never brash, offering clarity when the world feels grey and a sense of movement when moods stagnate. We love their energising nature – the way a single spritz can make shoulders drop, lungs expand and thoughts feel a little more spacious, whether you’re facing a frosty commute or twinkling party lights. When the days are shortest, what we love is how bergamot’s radiance can feel like a personal dawn, repeated with every spritz.

Below, a line‑up of some of our favourite bergamot‑centric fragrances that shimmer beautifully in colder weather, each with its own style of citrus glow…

 

 

 

 

Nishane Wulong Cha

A brisk, silken gust of bergamot, orange and mandarin sweeps through cool air, bright yet never shrill, immediately conjuring the idea of iced tea sipped in winter sunshine. Oolong and nutmeg add a cashmere‑soft, gently spiced steaminess that folds around you rather than projecting too loudly. Musk and fig ground the freshness in a velvety, almost creamy trail, making this feel both invigorating and soothing.

£175 for 50ml extrait de parfum harrods.com

 

 

 

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Montblanc Explorer

Here, an Italian bergamot accord cuts through the chill like a clean, glacial breeze, sharpening the senses before earthy vetiver and patchouli unfurl. The citrus spark stops the woods and leather from ever feeling heavy, lending a crystalline edge that keeps everything brisk, modern and outdoorsy. It is the olfactory equivalent of zipping up a favourite jacket and heading out into the cold with intent, purposeful but polished.

£39 for 30ml eau de parfum theperfumeshop.com

 

 

Akro SMILE

This feels like bottling the moment someone makes you laugh on a grey day: sage and bergamot fizz in the top, crisp and green‑gold, while raspberry adds a playful, neon blush. There is a luminous clarity to the structure that makes it wearable at any time, yet it never tips into minimalism – it is joyfully present. Originally blended as a private ‘happy’ talisman, it now beams that optimism outwards with every mist.

£160 for 100ml eau de parfum lookfantastic.com

 

 

 

Floris Bergamotto di Positano

Imagine standing on a winter shore, the memory of summer warmth lingering in the air – that is the mood here, where bergamot and mandarin sparkle against salty marine notes. A heart of orange blossom and green tea feels like light on water, softened with a touch of vanilla creaminess so the brightness never bites. Woods, amber, ambrette and ginger hum underneath with mellow, sun‑stored warmth, like skin remembering an Amalfi holiday beneath your coat.

£120 for 50ml eau de parfum florislondon.com

 

 

Experimental Perfume Club Bergamot Incense

A study in contrasts, this scent sets bergamot’s zesty, herbaceous facets against the meditative curl of frankincense and the cool poise of iris. The result is a halo of citrus that glows rather than glares, illuminating the resinous shadows without dispelling them. It feels like a contemplative walk on a clear, cold morning – bright air, long blue shadows, and a quietly luminous energy that stays close to the skin yet transforms your whole mood.

£125 for 50ml eau de parfum experimentalperfumeclub.com

 

Written by Suzy Nightingale

Perfumer Profile: Nathalie Lorson

Nathalie Lorson’s fragrant world begins in the fields of mimosa on the hills of Tanneron, bathed in the honeyed light of Grasse. ‘My first scent memory is the field of mimosa when I was walking with my parents,’ she shares, a beginning that seems to set the tone for a career shaped by nature’s poetry and the meticulous science all true perfumers learn to wield.

Her path was forked-lightning bold – ‘In 1980, very few women entered the perfumery field,’ she remembers, speaking with the quiet steel of a pioneer. The daughter of a Roure chemist, Nathalie found herself drawn instinctively to scent, where ‘smelling, for me, was literally child’s play.’ After passing exams, she entered Roure’s school to immerse herself in the arcane language of molecules, accords and raw materials. For her, mastery flows from constant learning: ‘Designing fragrances is constantly a work in progress. Even today I feel like I am still learning,’ she observes.

Her style, she says, is ‘harmonious and generous…’, evident in the smooth, rounded sensuality knit into her blends. She’s one of modern perfumery’s quiet pulse-points, as vital to its rhythm as rose, vanilla or vetiver are to hers. ‘I like to work musky notes, vetiver and rose – but newness is also important and it is exciting to discover new materials.’

 

 

 

 

Nathalie Lorson’s perfumed portfolio, as myriad and shifting as a kaleidoscope, contains classics and cult favourites – Lalique Amethyst, Encre Noire (‘the beautiful story… was written with the purest vetiver, one of my favourite raw materials’), Flora by Gucci, Bentley for Men, Dita Von Teese EDP and the modern icon YSL Black Opium. Indeed, she is part of the quartet that gave Black Opium its velvet swagger, working for Firmenich, where she is Senior Perfumer.

Recent years have seen her hand in scents The Perfume Society loves to write about: Givenchy Gentleman (the contemporary 2017 version, co-authored with Olivier Cresp), Mugler Angel Nova, Boucheron Patchouli d’Angkor and Boucheron Santal de Kandy, Chopard Magnolia au Vétiver d’Haïti, and the enduring addiction of Le Labo Poivre 23. She seems to delight in the challenge of brand storytelling: ‘Always behind the scenes, I translate the brand history into an olfactory tale… I like to work with many different types of ingredients and explore them beyond their limits.’

Nathalie’s creative fragrant energy hums frenetically – ‘I am currently working on about 10 fragrances at the same time.’ Her travels, especially in Japan, spark inspiration for new olfactive territories, yet she stays grounded in the day-to-day texture of her craft: ‘Discussions with inspiring people are critical – they bring to life the ideas behind the scent.’ In interviews she adds, ‘We find lots of dust, but very few nuggets…’, alluding to the laborious search for newness and excellence each time she starts anew.

 

 

 

 

When Nathalie Lorson reminisces about her favourite smells, they speak to her breadth of memory: ‘Rose, vanilla, the smell of sand, freshly-cut grass and Christmas trees.’ And how incredible to think that her favourite first purchase – the original YSL Opium – set the course for a career mapping the DNA of French luxury. Asked how to fully appreciate fragrance, her advice returns to experience: ‘The best thing is to wear fragrance, to live with it, to smell it, to experience it.’

Pushed to choose the one fragrance she wishes she’d created, Lorson allows herself to pick two. ‘FlowerbyKenzo: a beautiful re-interpretation of a classic floral-powdery theme with a very identifiable trail. And Dior Hypnotic Poison: a product of pure pleasure, sensual, enveloping, very recognisable and with just the kind of “signature” I like.’

Today, pressed between luxury’s demands and niche creativity, Nathalie’s spirit remains keen: ‘Yes, with the arrival of all niche brands… the luxury brands are also asking perfumers to create fragrances with unique “signatures” that are new and different from others – so that’s very stimulating, too.’

Nathalie Lorson is – and ever was – quietly at the heart of things, dreaming ‘of everything that has not yet been discovered…’ For perfume lovers and practitioners, and for we fragrance-lovers alike, her work is a living invitation to scent, skill, and wonder, carried by a nose that grew up among the mimosas and never once switched off. And we thank goodness for that!

 

Written by Suzy Nightingale

Rain, rain… come to stay? Why we love that smell

Most of the U.K. seems to have spent the last few days with a deluge of rain, and while we cannot help but mourn the last days of summer, for many of us, that smell of rain is actually a reason to rejoice…

‘Petrichor’ is the technical name for that unmistakable (though so-difficult to describe) scent of imminent rain in the air, or the damp earth following a fresh downpour. The chemical reaction of plants, bacteria and soil all combine to create that experience that follows a thunderstorm, a phenomena first discovered by two Austrialian researchers in the 1960s, and published in a scientific paper called Nature of Argillaceous Odour.

For the less technically challenging explanation, we recently enjoyed watching Today I Read‘s lovely short film on their Facebook page, all about the smell of rain, but we’re so obsessed we couldn’t leave it there.

One of the books on our scented shelf is The Smell of Fresh Rain, by Barney Shaw. Going in search of the meanings of smells (and how they help shape our lives), author Barney Shaw went on a journey of exploration for this book celebrating ‘The unexpected pleasures of our most elusive sense.’ 

From describing petrichor to researching the scent of fresh paint, frying bacon and pondering the question of what three o’clock in the morning smells like, it’s a fascinating ride to be part of. And part of it you most definitely are, as merely reading this book expands your mind to the possibilities and scents you take forgranted every single day. We especially loved the observation that ‘Unlike sight, smell does not travel in straight lines, so it is valuable in environments when sight does not serve well…’

Indeed, as Helen Keller once said, smell truly is ‘the fallen angel of the senses.’ We may not use it to seek out a sabre-toothed tiger or find food anymore, but the ability is there, or emotional reactions are built-in, unbidden.

An excellent book for anyone interested in exploring their senses further (for flavour is so interconnected to smell, as we know, and addressed within the book); those who write about perfume or smell in any respect will be especially pleased by the chapter On the Tip of My Nose, which looks at the language of smell, and what we can do to improve our communication skills. Completely fascinating from start to fragrant finish!

Publisher: Icon Books

At Amazon

By Suzy Nightingale

Fragrance Family Friday: what is ‘Fresh’?

The perfume universe is divided into ‘families’. but what does this terminolgy actually mean to someone searching for a new fragrance to wear? We know it can be baffling to work out, so are here to help guide you with a new feature decoding and exploring the main fragrance families, and choosing an example we think your nose should get to know…

What are fragrance families?
Technically, ‘fragrance families’ are a classification system the perfume industry has used for years, to place individual perfumes into olfactory ‘groups’, based on their dominant characteristics. It’s part of the language of scent.

A true family, of course, has lots of members – and so it is with fragrance. Most of the eight main fragrance families will have some variations on their theme, particularly these days, as increasing numbers of fragrance houses describe their scents as ‘fresh woody floriental’ and suchlike, which is rather confusing for everyone! Here. we’ll try to break down the characters of the main families so you can discover which you’re most drawn to.

Will I only suit fragrances from one family?
Not necessarily – but it all depends on personal taste, the time of year, your mood and even what you’ve eaten recently (spicy food can mask the more subtle notes and alter how others smell on your skin for up to two weeks, for example).

In reality, very few of us have a completely jumbled wardrobe of scents from lots of different families: often without even realising, we tend to fall for one main family time and again. Just as you might open your wardrobe and find that a certain colour dominates. Instinctively, we prefer scents from some fragrance families and dislike others – although we may tend towards one particular family for colder weather, another for sunny times (or moods).

What is ‘fresh’?
Uplifting, zesty, cooling: most eau de Colognes fall into this family. They feature a whoosh of notes like lemon, bergamot, orange, grapefruit, mandarin. (These notes are also slightly randomly referred to as being ‘hesperidic’ – after the Hesperides, the nymphs from Greek mythology!)

Fresh fragrances usually smell clean, and often come in the eau de toilette and Cologne versions, though now we’re finding longer-lasting eau de parfum fragrances evoking that zingy Cologne style. These are the best of both worlds, because many citrus-based scents disappear more quickly on the skin – the oils are the lightest in perfumery so evaporate more rapidly, particularly if you have dry skin. Stronger concentrations (like Aventus Cologne – see below) allow the freshness to give you jolt of energising enjoyment for several hours – hurrah!

Ideal for splashing, and generally more suited to summer, some conjure up a sea breeze, while others smell like bottled sunshine. Many people find fresh fragrances give them a ‘lift’ – a bit of a perfumed kick up the proverbial when you’re feeling drained or in need of a quick hit of happiness.

With all this in mind, let’s take a look at a brand new fresh fragrance we feel exudes the very best of this family’s characteristics…

Aventus Cologne
FAMILY: FREsh
TOP NOTES: ginger, mandarin, pink peppercorn
HEART NOTES: patchouli, sandalwood, vetiver
BASE NOTES: styrax, birch, musk, tonka bean

How does it smell?
Lusciously juicy mandarin fizzes with a rasp of freshly grated ginger, a gentle spicy heat enhanced by the addition of pounded pink peppercorns. Just as your nose is getting used to the sunshine warmed top notes, a supremely smooth patchouli swathes creamy sandalwood and cooling vetiver for an interplay of textures and temperatures that continues to intrigue. Finally, the resinous base pulses in a throb of almond-like tonka beans amidst soft drifts of smoky musk that demands to be nuzzled…

The original Aventus is a best-selling fragrance around the world, and most particularly known for the iconic pineapple top note. Wanting to create a more summery alternative, instead of just weakening the strength and turning it into an eau de toilette, perfumer Olivier Creed – sixth generation master perfumer for the house – crafted a luminous, utterly radiant fragrance that feels like a younger (more tanned) sibling of the original. It’s uplifting and vibrant, but still carries itself confidently for hours of perfumed pleasure!

Try a sample of Aventus Cologne
You can try a sample of the just-launched Aventus Cologne at home – it’s one of an incredible SEVENTEEN fragrances we put together in The Explorer Discovery Box of more masculine-styled scents for you to wear and explore your feelings for. Will you fall for this fresh example…?

The Explorer Discovery Box £19 (£15 for VIP Club members)

PS: Don’t forget to order for Father’s Day on June 16th – our last posting day is the 11th to make sure it arrives in time!

By Suzy Nightingale

Spotlight on: Yves Saint Laurent

Yves Saint Laurent was a ground-breaking designer who delighted in shaking up the mainstream, always in his  stylish and undeniably sexy way, with this ethos effortlessly transferring from fashion to fine fragrance.

Producing several of the best-selling perfumes of all time, with stunning bottles that have become collectors items in their own right; not many fragrance houses can claim to have a founder who dared pose naked for his own fragrance advertising campaign, because ‘perfume is worn on the skin, so why hide the body…?’

It all began at the tender age of seven years old, when Yves Saint Laurent began designing clothes for his sister’s dolls, expressing a natural talent and indulging a dream of a career in the glamorous world of fashion design. A deacde later, and he’d enrolled on a graduate fashion course at college, winning both 1st and 3rd prize in the prestigious International Wool Design competition at only 18 years old. His talent was showcased to the world and a young Saint Laurent was offered the role of haute couture designer for the House of Dior. A dazzling debut, interrupted by a brief period of national service in the army, led Saint Laurent to opening his very own couture house, still aged just 21, and enabling him to truly express his fashion expertise.

1962 saw the dawn of the Yves Saint Laurent brand and his masterful couture creations for the rich and famous. But clothing was never the only way Yves Saint Laurent wanted to dress women – in 1964 he created his first fragrance, Y, a collaboration with perfumer Jean Amic. It was an olfactory expression of the elegance and luxury of his couture fashion – a fragrance tailored for the beautiful women he dressed. In its original packaging, the green chypre juice was housed in a bottle cut to reflect the silhouette of a woman’s head and shoulders. The letter ‘Y’ cleverly placed to represent the neckline on her dress.

In 1971 Yves Saint Laurent continued to shock when he launched his first fragrance for men, Pour Homme – posing nude for the visual, in stark representation of the values of the Yves Saint Laurent House, comfort and sophistication coupled with modernity and audacity. In the same year, he created a fragrance for the independent, free-spirited woman who shopped at his new boutique: Rive Gauche. At a time when fragrances were presented in classically feminine bottles, best stored on the dressing table at home, it was the first fragrance to be launched packaged in a tin can!

 

In 1977 Yves Saint Laurent wanted to glorify another facet of YSL femininity; sensuality and seductiveness – and women the world over were seduced by YSL’s Opium . An opulent swathe of ambrée ambers and vanilla by perfumers Jean Amic and Jean-Louis Sieuzac, this audaciously-named fragrance sparked immediate controversy. As the scandal and the hype grew so did demand. Global press took straight to the newsstands to criticise Yves Saint Laurent’s determination to shock, but scandal only served to fuel desire; testers were stolen, posters were ripped down and stores sold out of stock in a matter of hours on the launch date.

Fast-forward to  2014, when the latest reinvention of the YSL woman was launched in the form of Black Opium, composed by four master perfumers (Marie Salamagne, Nathalie Lorson, Olivier Cresp and Honorine Blanc), with an overdose of black coffee accord to instantly invigorate the senses, contrasting with voluptuous white floral heart notes and a gourmand vanilla base.

The following year, Black Opium scooped Best New Fragrance for Women in the UK’s prestigious Fragrance Foundation Awards – and since then, the fragrance has acquired countless ‘collectors’, thrilled by limited editions and new ‘spins’ on this smouldering scent.

There are few people who’ve not owned and loved an Yves Saint Laurent fragrance, or who don’t have one of these – classics and modern must-haves alike – in their collection. We’d be hard-pushed to pick a favourite… so, we wonder, what would yours be? And while you’re pondering which perfume to choose, you can read all about their history in more detail on our page dedicated to Yves Saint Laurent