Art experts use x-rays and scientific tests to help determine the authenticity of a masterpiece painting, but soon they could well be using their noses, too…
While researching a painting called Donna Nuda – believed to be by a contemporary follower of Leonardo da Vinci rather than the artist himself, but conducted under his close supervision – experts were greeted with a unique smell of the materials used within the painting, described as ‘…the fresh smell of a forest after the rain.’
The technique used is, necessarily, non-invasive, and Martin Kemp – a leading authority on da Vinci, based at Trinity College, Oxford, has excitedly commented that this method of scented investigation, when used as a prototype to test the authenticity of other paitings, could hold enormous potential for the future of art attribution.
Gleb Zilberstein and his co-authors had previously used the technique to discover traces of morphine on the manuscript of Mikhail Bulgakov’s novel, The Master and Margarita, as well as analysing Anthony Chekhov’s blood-stained shirt, and finding evidence of tuberculosis. The team will publish their full findings in the Journal of Proteomics, but for those of us not quite up to the technical language, a more basic explanation of the way it works is this:
Acetate film embedded with charged particles is placed on sections of the painting. The film is analysed by gas and liquid spectrometry and chromatography – run through a computer which can separate and identify every component the object is composed of, allowing researchers to pick out particular areas of interest and actually smell them, individually.
The same technology is used to analyse traces of vintage fragrances, or to capture the smell of a thunderstorm, for example, and allow a perfumer to recreate it. But this is the first time it’s been used to analyse and identify the materials of a painting. This way, the tem discovered a unique mixture of egg yolk, linseed and rosemary oil had been used by Leonardo’s Protégé, and as they were learning his exact techniques, they would have used the same paint mixtures – perhaps even mixed by the hand of da Vinci himself.
Researchers concluded that rosemary oil had been used in some sections to ‘enhance the sense of depth’ by blurring a background – just like the Portrait mode on a modern iPhone – and that they hope to use the technology to create a ‘decay curve’, so as to further help pinpoint the date of a painting by studying the smell and decomposition of organic materials.
Zilberstein commented that it was a ‘magical moment’ to smell odours that had been trapped beneath the surface of the painting for over 400 years, and explained that now, ‘for the first time the deciphering of the recipes used by Leonardo was possible…’
At The Perfume Society we happen to fall firmly in the camp of perfume as an art form to be celebrated in its own right – a myriad of cultural and language crossovers in the areas of music and fragrance being particularly prevalent; with top, middle and base ‘notes’, perfumer’s ‘organs’ with their raw materials arrayed as the keys of an instrument, ‘accords’ and olfactory harmonies now standard references in scent.
Colours and painting, too, have their scent story to tell, with any number of world-famous noses experiencing the multiple layering of senses (people who ‘smell’ colours and musical notes, for example) known as synaesthesia – a subject we have previously explored in great depth within our Scented Letter magazine, indeed devoting an entire issue to the subject.
We’re blessed with a rich tapestry of diverse cultural events around the UK, and this summer promises a spectacular line-up of shows, festivals and arty comings-together with a little bit of something for everyone. As any ‘fume-head’s nose knows, one must always scent appropriately for the occasion (indeed, many of us pick our perfumes before we get dressed in the morning), and this set us wondering which perfumes would be best for culture vultures to wear at the panopoly of entertainment on offer in the months ahead….
Their musical cavortings now – incredibly – span 54 years, and this lively exhibition reflects on the vitality the Stones have brought to the music scene at large. Purporting to be ‘the most comprehensive insight into the group’ ever seen, it’s even got a sensory depth to plunge in to – should you wish… the scent supposedly evokes the ‘revolting digs’ the band lived in before becoming famous. A heady blend of Tandori chicken (Mick’s dish of choice, apparently) and fish & chips (the other members’ preference) along with the distinctive scent of unwashed socks and – well, all manner of things, one supposes – it’s likely even die-hard fans wouldn’t want to splash that all over. Maybe go for a stylish take on nostalgia with this old-school perfume oil, instead? Not the headlong dive into a hippie shop one might expect, it’s the resinously smoky birch tar that takes centre-stage, here; joined by vanilla on in the base (on the bass?) to further soothe animal insticts.
Le Labo Patchouli 24 £95 for 30ml perfume oil
Buy it at Liberty
Exoloring ‘the intimate relationship between underwear and fashion and its role in moulding the body to a fashionable ideal’, this major new exhibition at the Victoria & Albert Museum proves an eye-popping extravaganza of all things racy and lacey. From historical under-crackers that could raise more than titter, to some of the finest examples of scanties ever seen, we could think of nothing more appropriate than the designer who made it okay to show-off your underwear as outerwear – breathe in and plump for this latest, lighter version of JPG’s powdery orange blossom and musk-laden perfumed paean to the powerful curves a corset can bring.
Jean Paul Gaultier Classique Eau Fraiche £67 for 100ml eau de toilette
Buy it at The Perfume Shop
With a plethora of fascinating talks, banquets and ‘happenings’ lined up, including a Mini Beast Safari, Wine and Philosophy tastings, talks about trans-humanism, and cream teas in the orangery, there was already a lot to tempt us here. Add a perfumed book club over afternoon gin cocktails with our fragrant pal Odette Toilette, the rather lavish sounding promise of a ‘Scented Swim in Compton Verney’s stunning lake to the soundtrack of live classical piano’, AND one of Sarah McCartney’s perfume making workshops – we were sold. Of course you could eventually be weaing a scent you create yourself, but if you can’t bear to go bare, drench yourself with this British take on the Ambrée – a bright mix of citrus, jasmine, vanilla and cedarwood, it’s the scent of sun-kissed skin and happiness.
4160 Tuesdays Sunshine & Pancakes £90 for 100ml eau de parfum
Buy it at Roullier White
Founded in 1953 by Ottavio Missoni and his wife, Rosita, they actually began by knitting tracksuits for the Italian’s 1948 Olympic team – a rather incongruous start for what went on to become an iconic fashion house noted for their flair for colour, patterns and intricately woven fabrics; but all becomes clear in this wide-ranging exhibition when you discover Ottavio was also a former Olymic athlete. Featuring a stunning central pyramid of fashion mannequins, and with abstract artworks and home furnishings, it’s a feast for the eyes. What else to wear than the colourful new Missoni scent, designed to be the finishing touch to any stylish outfit it’s a distinctly Italian confident concotion of bergamot, pear, jasmine and tonka bean with a woody, soft musk trail.
Having graced many a student’s walls, don’t make do with the dog-eared blu-tacked posters – go and see the real red-heads and wanly pouting beauties in person. With over 120 major works by the masters including Dante Gabriel Rossetti, Ford Madox Brown, William Holman Hunt and John Everett Millais, the significance of being exhibited in Liverpool is explored with the history of the city’s Autumn Exhibitions – a tradition that allowed this most overtly poetic and literary inspired movements to flourish. To complete the picture? A spellbindingly beautiful re-working of rose (perfumer Dominic Ropion using an unprecedented concentration, here) with broad brush strokes of refined patchouli, powdered bezoin, a sprinkle of cinnamon, smooth sandalwood and a glistening bunch of ripe berries fresh for the plucking.
Frederic Malle Portrait of a Lady £145 for 50ml eau de parfum
Buy it at Selfridges
Not merely vital as pollinators for the thousands of flowers and other naturally sourced materials the majority of fragrances still rely on, but for the survival of the human race itself, artist Kurt Jackson has long been obsessed with the litle buzzers. Ever since he first enrolled as a student of Zoology at the University of Oxford, Jackson has focused on bees, wasps and other pollinating insects as his main source of inspiration; and together with his various canvases, sculptures and prints, the university have loaned some of their extensive archival collection to support this exhibition, and highlight the true importance of these creatures we cannot take foregranted. It had to be honey-laden scent, of course, and bolstered by the darkly glimmering magnificence of oudh and a delightfully tempered, lightly musky dry down – this one has it in oodles.
Floris Honey Oud £160 for 100ml eau de parfum
Buy it at Floris
The day after legendary musician Jimi Hendrix died in 1970, the idea for the first Glastonbury Festival was born – the date of the (originally free) musical shin-dig was moved to coincide with the Summer Solstice, and 1971 saw an estimated crowd of 12,000 enjoy performances by Hawkwind, David Bowie, Joan Baez and Fairport Convention among others. It’s fair to say the numbers have increased somewhat since those days, but it’s still an absolute British institution on the live music scene, and with Adele, Muse, New Order, Coldplay and ZZ Top announced for 2016 so far, it’s set to be a record-breaking year. Another British institution is the almost inevitable torrential rain an ensuing mud-bath. We say, be ahead of the crowds and drench yourself in this before the heavens open, with cool ‘petrichor’ notes – that unique smell straight after a downpour – somehow captured in scent; it’s sure to refresh even under extreme circumstances.
Library of Fragrance Rain £15 for 30ml eau de toilette
Buy it at Boots
We bet you’ll be joining us in stocking up on safety pins and sprinkling your rubber trousers with talc for this year-long celebration of perhaps the most subversive – and influential – youth-led cultural movement in living history. Showcasing fashions, music and art that were all integral to making punk so iconic, and images of rainbow-coloured mohawked teens as synonymous with the image of London around the world as a red bus; it’s a joyfully exuberant yet important doccumentation of a genre that continues to break boundaries. With the BFI Southbank screening a selection of contemporary films starring, among others, the now Grand Dame of punk, Vivienne Westwood and Ari Up, lead singer of The Slits; it might be that you Boudoir-it-up with one of Westwood’s fragrance collection. However, for a scent that really embodies the shake it up and shock ’em nature of the scene; we tentatively suggest this adrenaline-infused fragrance. Never a house to pull back from the edge, it’s a blend of arousal-inspired accords on a bed of orris, opoponax, coconut and musk. Devisive as the spirit of punk itself, it’s a love or hate you’ll not forget in a hurry…
Etat Libre d’Orange Secretions Magnifiques £70 for 50ml eau de parfums
Buy it from Les Senteurs