Powder to the people: the many moods of iris

A rather unprepossessing looking root with a heavenly, suede-like aroma, iris is one of the most costly of fragrance ingredients – adored by perfumers for generations, but shaking off the unfair ‘grandma’s talcum powder’ reputation it perhaps once was cloaked by, now being championed by ultra-cool niche brands for a new era of purple passion.

Curiosity combined with ingenuity altered the history of perfume forever. Who exactly was the first person rootling around in the earth beneath the gloriously flowering iris, discovering the fleshy, creeping rootstocks (known as rhizomes) that look for all the world like the key ingredient in a fairytale’s curse, and pondering, “what if…?” Taking those roots, putting them in a cave to age further (the older iris rhizomes get, the more pungent they become), and grinding, distilling and extracting the essence, only then does it transform into the uniquely powdery, skin-like, sometimes almost bread dough-esque scent that lingers and clings low to the skin for hours.

Lauded for centuries as a symbol of majestic power, dedicated to the goddess Juno and revered by Egyptians who placed the flowers on the brows of the Sphinx and scepters of kings – the three petals of the blossom supposedly representing faith, wisdom and valor. In both ancient Greece and Rome, orris root was already highly valued in perfumery, with fragrant unguents of iris widely used in Macedonia, Elis and Corinth, for which they became famous.

Iris fragrances can smell as sweetly innocent as freshly laundered linen, or hint at the siren call of the boudoir – lipstick, powdered skin and silken underthings that gradually take on the body scent of the wearer. This is an ingredient you’ll long to snuggle in the bosom of, and once truly appreciated you’ll never want to be without – a new religion, a way of life… Okay, I’ll go and lie on the chaise lounge for a bit (iris always makes me want to drape myself on plush furnishings, anyway).

I could wax lyrical about its myriad charms all day (and often do, to the delight of my friends), but I want you to go out and allow yourself to be enraptured by some of these suggestions. Join my iris cult  swathe yourself in one of these scents, showcasing the many moods of Iris

 

 

Refined Iris:

Acqua di Parma Iris Nobile eau de parfum – High society swanker subtly wearing amber necklace and oakmoss Chypre fur coat (with silk knickers).

Ormonde Jayne Vanille d’Iris eau de parfum – A rope of creamy pearls knotted over see-through silk blouse, delicately skin-warm from décolleté’s touch.

Prada Infusion d’Iris eau de parfum – Immaculate white shirt line-dried in Spring, crisp sheets on bare skin: the allure of clean linen waiting to be sullied.

Xerjoff Irisss eau de parfum Warm bread roll joyously ripped asunder and secretly slathered with butter; face re-powdered, pink pout re-applied.

Serge Lutens Bas de Soie – Chaste kiss from cool blonde of the Hitchcock ilk, wearing lipstick too expensive to smudge on plebs and silk stockings you’ll never see.

 

 

Romantic Iris:

4160 Tuesdays Paradox eau de parfum – Thunderously moody walk in a storm; wrapped in cashmere stole sucking violet pastilles on a comfy sofa, temper’s becalmed.

E Coudray Iris Rose eau de toilette – A silk wedding dress on a velvet hanger, lovingly stroked by thoughtful bride-to-be at a vintage fair. Loved again.

Huitieme Art Parfums Naiviris eau de parfum – Searingly hot love letters liberally dusted with rice powder, sealed with red wax, smuggled in the spicy cargo of a ship’s belly.

Penhalligon’s Iris Prima eau de parfum – Ballerina’s farewell performance, a lithe curtsey as the curtain drops, feathers scatter the stage, tears of joy mingled with makeup.

Aerin Iris Meadow eau de parfum – Expensive bouquet tied with silk ribbons, nestled in a jam-jar on a bedroom window-sill, the handwritten card beckoning smiles.

 

 

Bohemian Iris:

Atelier Cologne Silver Iris Cologne absolue – A purple velvet gypsy-style skirt’s hem dampened by dew, pale wrists loaded with bangles, reaching for blackberries on a misty morning.

L’artisan Parfumeur Dzongkha eau de parfum – Temple stones cool beneath bare feet, chai tea sipped on a verdant mountain’s terrace, distant bells deeply resonating.

Maître Parfumeur et Gantier Iris Bleu Gris eau de parfum – Freshly laundered sheets cannot hide the masculine scent of a Dandy’s midnight visit, still lingering in the sunlit room.

Sentifique Dangereuse eau de parfum – Chanteuse shuns cold weather, languidly stretching golden limbs on tropical sun-lounger, coconut ice cream drips on hot skin.

Vancleef & Arpels Bois d’Iris eau de parfum – Free spirits chasing rainbows, lovers of lemon sorbets, cashmere stoles & black tea sipped from vintage china cups.

 

 

Bad-gal Iris:

Etat Libre d’Orange Bendelirious eau de parfum – Wild child starlet swigging Champagne while chewing cherry-flavoured gum, emerging chaotically from rock gig’s dry ice.

Parfumerie Générale Private Collection Cuir d’Iris eau de parfum – Leather-bound prayer book stolen from church, smeared with face powder fingerprints. Chocolate-covered illicit kisses confessed.

Juliette Has a Gun Citizen Queen eau de parfum – Ms. Capulet rescues herself from tragedy by ignoring poison, a flirty heroine in floral basque and leather jeans.

Miller Harris Terre d’Iris eau de parfum – Hidden doorway leads to secret library, furtive fumblings among dusty tomes, her husband’s brother a better lover.

Frederic Malle Iris Poudre eau de parfum – Smiling seductress imbued with moral turpitude, impatiently tapping manicured fingernails on glass-topped cocktail cabinet.

Written by Suzy Nightingale

Get ready for sandalwood’s snuggles

Suddenly our duvets have become irresistible and those opaque tights have made their appearance from the back of the drawer. Along with cashmere cardis and hot toddies replacing the t-shirts and G&Ts (okay, we actually haven’t quite given up G&Ts), so our fragrance tastes tend to swing toward something warmer – a snuggle in a bottle that helps you get out of bed in the morning and comforts you throughout the day.

Sandalwood-rich perfumes are great ones to look for in the autumnal months or colder climates, offering a smooth creaminess that clings to the skin like a cashmere blanket – a poncho made from perfume. Yes we may sometimes wish to be pepped up with a citrus blast every now and again, even on a chilly day; but the majority of us here at TPS Towers are longing for something to snuggle into, and sandalwood as a dominant note definitely fits that bill.

In our just-published Couture edition of The Scented Letter Magazine, my leading feature seeks out ‘The sensational history of sandalwood‘, looking into versatility of this ingredient, and finding out just why perfumers (and perfume-wearers) love it so. But the topic is so vast, I really wanted to give you even more sandalwood-filled snippets, and urge you to swathe yourself in sandalwood scents you already love, or to think about getting seriously cosy with something sandalwood-y and new to you…

Some sandalwood facts:

Sandalwood is used in the base of up to 50% of feminine fragrances.

Supremely versatile, it blends exquisitely with clove, lavender, geranium, jasmine, galbanum, frankincense, black pepper, jasmine and patchouli (among others).

It works as a ‘fixative’, tethering other ingredients and keeping them ‘true’, in a composition.

So many sandalwood trees have been cut down in India, largely for production of perfume and incense – often illegally harvested, because it’s such a valuable commodity – that it’s become endangered.

The good news is that plantations in Australia are now coming on-stream, producing (santalum spicatum) sandalwood oil of high quality – to the relief of ‘noses’ (and conservationists.)

A wide range of synthetic sandalwood-like ingredients are now used in place of this at-risk wood, to give a similarly smooth milkiness (see below for our guide)…

The synthetics now available for perfumer’s to expand their palette is now fairly extensive. With the cost of Mysore (often considered the best quality, and the most endangered) sandalwood increasing approximately 25% per year, you can understand why many fragrance brands are choosing to use these aroma-chemicals, for cost-effective (would you continue to buy a favourite fragrance if it doubled in price every four years?) as well as conservation reasons.

In my magazine feature, indie perfumer, and founder of 4160 Tuesdays, Sarah McCartney, explains why synthetic sandalwood is so vital for perfumers – and how most people asked to compare natural and synthetic sandalwood side-by-side in a blind smelling, will confidently declare those synthetics to ‘definitely be the natural’ wood. So generally, ‘…if you have sandalwood listed in the notes, it will either be accompanied by its synthetic sisters, or replaced entirely.’ Among these synthetics we have:

Beta santalol – considered to be one of the most ‘nature identical’ of sandalwood notes, this imparts the comforting creamy snuggle we expect.
Polysantol – formerly trademarked by Firmenich , it has herbal depth with just a touch of filth for the animalic scent lovers out there. Realistic enough in a composition, it also has great lasting power.
Levosandol  – by Takasago is shot through with tang of dry cedar-like notes for an overall woodiness.
Ebanol – a Givaudan trademark, is remarkably rich and surprisingly potent. The snuggle that just keeps going.
Fleursandol – by Symrise, this one has a lightly floral character beneath the dominant, life-like sandalwood note.
Try sandalwood in these beauties…

But McCartney also reminds us that many naturals also ‘replace’ or snuggle up to natural sandalwood in fragrances, ‘One good natural substitute is amyris essential oil,’ she continues. ‘Mine is from Haiti and smells closer to aged Mysore oil than my Australian or modern Indian sandalwood. Amyris is known as Hatian sandalwood, but is a different species. Sandalwood has strength and richness but never overpowers or forces its way through a composition.’

David Moltz, perfumer and co-founder of cult niche house D.S. & Durga agress on this so-special charcteristic of sandalwood, explaining, ‘Though long-lasting and incredibly umami for a wood, its overall throw is soft. So it’s persistent but never overpowers other oils.’ Personally, he likes to mix the types of sandalwood he uses, depending on what he’s trying to achieve, so he uses ‘…a bunch of different sandalwoods. In the D.S. fragrance, I used top-grade Sri Lankan sandalwood which is the closest we have to the fabled and ethically challenged Mysore varietal from south India.’

Whichever character of sandalwood you choose, it’s just perfect to embrace on chillier, grey days – so do have a look for some of these, and get ready to fully embrace sandalwood’s cosy sensuality…

Molten sandalwood and cedar melds with warm amber, a wispy jasmine that fluffs itself up around ghost lily, waxy magnolia and narcotic ylang ylang. It all dries down to the most glorious pepper speckled honey for a ‘your skin but better’ daily cuddle. Self-care in a bottle.
Estée Lauder Sensuous £56 for 50ml eau de parfum
theperfumeshop.com

 

 

Like burying yourself in a boyfriend’s favourite jumper, textural layers of pink pomelo, ginger and green lemon brush against soft lavender and jasmine whispers. Finally, skin’s wrapped in that comforting sandalwood, with birch, oak, patchouli and musk. Sans boyfriend? I think this amply replaces many.
Missoni Parfum Pour Homme from £33 for 30ml eau de parfum
thefragranceshop.co.uk

Distant recollections of being warm without woollen undergarments evoked with the delectable creaminess of iris butter swirled into sandalwood. It’s all blissfully relaxed limbs slathered in retro-smelling coconut suntan oil and a cool lick of vanilla ice-cream. Thanks for the memories…
Juliette Has a Gun Sunny Side Up £110 for 100ml eau de parfum
harveynichols.com

 

A handsome (completely unisex, we think) scent that’s crisp as a tall G&T (told you we were clinging on) at first, then sinks beguilingly to a dandyish clove, cardamom and nutmeg-laden heart and the softness of sandalwood and vanilla muskiness beyond.
Floris Santal £80 for 100ml eau de toilette
florislondon.com

 

A sacred signal to the Gods, incense billows through saffron’s golden glow, precious frankincense swirled amidst a plush heart of rose absolute, smooth sandalwood soothing you like a whisper on a breeze of translucent white musk. Wearing it feels like knowing the very soul of perfume – ‘per fumum’ meaning ‘through smoke’.
Van Cleef & Arpels Collection Extraordinaire Rêve d’Encens £260 for 125ml eau de parfum
harrods.com

Written by Suzy Nightingale

So you think you hate… Oudh

There’s no doubt about it: oudh divides opinion. It’s one of those ‘Marmite’ perfumery ingredients, which people either swoon over or clutch their pearls and scream while avoiding at all costs.

But if you think you hate oudh – or any one of the other fragrant materials we’ll be discussing over the coming weeks – get ready to have your perfume preconceptions challenged, and allow yourself to experience some of the newer scents using it as more of a background note. Think of it in the same way you’d use a seasoning, like salt, in cooking. You wouldn’t want the whole dish to be dominated by it, but a judicious sprinkle can utterly alter the way the other ingredients behave and react with one another.

So, let’s go back to basics before we plunge in to the perfumes you should sniff out.

What is oudh?

When we blithely say ‘oudh’, we are actually referring to agarwood – the resinous heart-wood from fast-growing evergreen trees – usually the Aquilaria tree. The agarwood is a result of a reaction to a fungal attack, which turns this usually pale and light wood into a dark, resinous wood with a distinct fragrance – a process that can take hundreds of years.

From that ‘rotten’ wood, an oil is produced, tapped from the tree like maple syrup, and then blended into perfume. The aroma of ‘natural’ oudh is distinctively irresistible and attractive with bitter sweet and woody nuances: seriously earthy and, in small quantities, supremely sexy. Depending on the type of oudh, how long it’s been aged and the quantity used, it can be smooth as velvet, smell like fresh hay drying in sunshine or like a particularly busy barnyard on a rather ripe summer’s day. Just like anything else used in a fragrance, it depends entirely on the expertise of the perfumer, how much they are using, and in conjunction with which other ingredients.

A key ingredient in old and new Arabic perfumery, renowned for centuries as an element within high-quality incense in Arabic, Japanese and Indian cultures, oudh has gone from a ‘trend’ ingredient we saw emerging a few years ago on our scented shores, to now having definitively crossed over to the west as something you can find everywhere – even in fabric conditioners and deodorants. And yet, true oudh is rare, seriously expensive and even endangered: as it’s become more popular, high-quality oud is becoming difficult to source.

Collection of agarwood from natural forests is now illegal under CITES (the Convention on International Trade in Endanged Species of Wild Fauna and Flora), but some is now beginning to be plantation grown in Vietnam. As an alternative, many perfumers have turned to synthetic oudh, although highly trained noses will tell you it can smell less nuanced, still woody and leathery, but without the warm, balsamic qualities.

So now, we want you to challenge your own nose and seek out some of our favourite fragrances, below. We’ve chosen scents that use oudh as that ‘seasoning’ we spoke of – a way of subtly adding depth, smoothness and velvety plushness within a perfume. Go on, even you oudh naysayers, we double dare you: and bet at least one of these will become a firm fragrant favourite in your collection…


Here we travel to the land of Assam via the richly resonant aromas of the East. Cinnamon leaf oil and nutmeg make for a lively opening with the heart notes giving way to the wonderfully exotic citrus-fresh elemi oil so prized by perfumers. Black tea accord marks our fragrant journey with its smoky tendrils slowly opening to the deeper base and that sweet, wet earthiness and smooth wood played out with notes of oudh and vetiver. Honey is drizzled to sweeten the mix but never becomes sickly, the stunningly smooth tobacco accord putting us in mind of freshly-rolled cigars and dense canopies of greenery outlined against mountains beyond.

Molton Brown Mesmerising Oudh & Gold Accord £45 for 50ml eau de toilette
Buy it at Molton Brown

This feels like an homage to the very origins of perfume – ‘per-fumum’ meaning ‘through smoke’ – this exploration of incense, made exclusively for Harrods, melding the gentle fruity notes of fresh Turkish rose petals plucked from a misty, dew-specked garden, with a fragrant drift of exotic spices. There’s a myticism, somehow, to wearing this. A pure parfum, it lingers beguilingly on the skin for many hours, waves of wamth unfurling, tendrills of smoky woodiness curling around you as you move – your own invisible velvet cloak to swirl, joyously, all day. Just as perfect as night falls, the scent swoons duskily onto the skin like a sunset kissing the earth. Sumptuous.

Atelier Cologne Rose Smoke £325 for 100ml pure parfum
Buy it at Harrods

We automatically began smacking our lips at this, even before we’d sprayed. And oh, once you do, it’s every bit as delicious as you’d hope – if it did come in a jar we’d want to spread buttered crumpets with it, and most definitely smother ourselves from neck to ankles. Probably best it’s bottled, then. With a truly honeyed note that deepens as the sustainably-sourced oudh kicks in, this is intensely nuzzle-able, and there’s nothing whatever to frighten the horses. A gourmand-esque take on oudh, think soft rose and creamy sandalwood rippled with dark seams of oudh, amber and vanilla-specked deliciousness.

Floris Honey Oud £160 for 100ml eau de parfum
Buy it at Floris

Unashamedly salacious, the Turkish and Bulgarian roses entwine the heart, bereft of thorns they mingle with the gently powdered violet – a sheer dusting bestowed from a swan’s-down puff – and the most opulently creamy vanilla base you’re likely to encounter. The evocation of luxuriously stretching out on a satin bedspread and enjoying the feel of the silky material beneath your limbs is hard to resist – add to this image a silver bowl of decadent white chocolates decorated with sugared violets, and you’ll be in seventh Heaven! An animalic (thank you, oudh) smokiness underpins the sensuously draped covers, making this the perfect after-dark fragrance for illicit encounters…

Maison Francis Kurkdjian Oud Satin Mood £200 for 70ml eau de parfum
Buy it at Selfridges

Named after a small Turkish village on the banks of the river Euphrates and famed for its intensely dusky roses that bloom so deeply crimson they appear to be black, Halfeti is certainly not your ‘blushing English rose’. A balmy breeze of bergamot wafts forth saffron’s warmth, followed by a sizzle of spices perfectly blended with a bouquet of jasmine, rose, lavender and lily of the valley. In the base there’s a flex of supple leather, sensuous oudh swirled through glowing amber, chocolate-y patchouli and finally, a smooth dry down of deliciously almond-like tonka bean, sandalwood and a gently powdered musk. Take us away, immediately…

Penhaligon’s Halfeti £175 for 100ml eau de parfum
Buy it at Penhaligon’s

By Suzy Nightingale

Leather's the traditional gift for a third anniversary – so to celebrate our birthday, here are leather fragrances to lust over…

For each year of marriage, a gift based on differing materials is traditionally given – we all know diamond and ruby celebrations, but did you know the third year is symbolised by leather, which has come to represent the durability of marriage?
We’re actually celebrating our third birthday all month, here at The Perfume Society, but we’re certainly wedded to our love of fragrance and in any case it’s a marvellous excuse to lust over our favourite leather scents. Of course leather and perfumery go way back together ç hand in scented glove, you may say…
The links are rooted in the tradition of the ‘gantier parfumeurs’, a guild of glove-makers in Paris who fashioned gloves for royalty and the aristocracy as far back as the 15th Century.  The whole tanning process smells utterly repulsive, though, so leathers were treated with oils, musk, civet and ambergris, to mask the smell of the animals’ skins. The very first ‘leather’ scent, so far as records show, was worn by King George IIICreed’s Royal English Leather.  He was so taken with the smell of scented gloves that he asked Creed to make it into a fragrance, and thus a whole fragrance family was born.

Fragrances can be ‘leathery’ but not always easy to love – yet it’s not really essence-of-leather in that bottle, as Andy Tauer explains below.  It might be from birch tar (which has a leathery smokiness), or juniper, aldehydes or other synthetics, designed to give a skin-like scent. Patchouli, black tea and tobacco can also conjure up that old library/leather-jacket sensuality.  Women’s chypres, and men’s fragrances, are most likely to have a leathery sensuality, but perfumers can take leather on all sorts of fragrant journeys:  woody, aromatic, floral, even gourmand.

Here’s what leather means to perfumer Andy Tauer, and how he uses it in his creations. ‘The first association, when you tell me “leather”, honestly, is “Swiss Army” and me serving there as soldier: my generation had the privilege of serving in thick leather shoes that were made to endure a Swiss invasion of Moscow, including the way back. Solid and as uncomfortable as can be. Every evening we had to brush them, polish them. As mixed as my memories of proudly serving in the Swiss Army are, I loved the scent of my leather boots. Rough leather, made from Swiss cows, with a thickened skin due to a happy but rough life in the Alps (we can dream, can’t we?). Leather in perfumery is not a natural essential oil that you buy.’
Reminiscent of a favourite, battered biker jacket, curling up on a Chesterfield sofa or surrounded by leather-clad tomes in the library of your dreams – bedecked with flowers for a feminine balance or positively exuding a snarl, we urge you to explore and indulge leather fragrances with a few of our favourites, below…

The Queen of feminine leathers, originally created by Ernest Daltroff in 1919 for (shockingly, at the time) women who smoked. A refined descent in to layers of leather powdered with tobacco and carnation, through lime blossom, ylang ylang and iris – then deeper down to a bone-dry vetiver and ambergris base that lingers like a slap’s tingle. Think furtive cigarettes smoked in a leather-clad starlet’s dressing room amidst mounds of maribou feather boas.
Caron Tabac Blond £105 for 50ml eau de parfum
Buy it at Fortnum & Mason

A classic American image of a cowboy sipping coffee by a campfire after a long day on the saddle, Andy re-imgines this scenario in a delightfully ambiguous way. Seasoned leather is richly infused with smoke from the fire, an intriguing hint of carrot seed that almost seems iris-y with geranium juxtaposed by clary sage, jasmine with vetiver, and a myrrh-rich tonka dry down. Beaneath the bluster, this cowboy reads poetry and weeps openly.
Andy Tauer Lonestar Memories £90 for 50ml eau de parfum
Buy it at Les Senteurs

A hyper-sophisticated chypre blends warming saffron with iced raspberries plucked straight from a cocktail glass garnished with thyme. Richly resinous olibanum sinks in to heady clouds of night blooming jasmine and the smooth leather seats of an expensive car. Suggestive of the nefarious limousine antics of A-List celebrities involving chocolate-dipped fruit and cigars.
Tom Ford Private Blend Tuscan Leather £155 for 50ml eau de parfum
Buy it at House of Fraser
The sense of black ink languidly swirling through opalescent water with soul-warming West Indian spiced rum intermingling with leather-bound books lining a library wall and the immediately evocative notes of vanilla pipe tobacco all following the trail of a dark heart laden with birch tar and labdanum. This is truly a fragrance with a story to tell…
BeauFort London Coeur de Noir £95 for 50ml eau de parfum
Buy it at BeauFort London

Deceptively nonchalant, this is a leather to wear when you want it to be your saucy little secret rather than up front and personal for all to see (and smell). The leather here is subtly slipped in to a bouquet of roses, with a background of lime, pink pepper, clary sage, juniper and a rounded, woody base. We see this spritzed by a Gallic muse sipping a G&T, who enjoys communicating via exaggerated pouts and deftly arched eyebrows.
MEMO French Leather £195 for 75ml eau de parfum
Buy it at Harvey Nichols
Written by Suzy Nightingale

Marvellous mandarin – the citrus scent to cheer

Mandarin somehow seems the most user-friendly of citrus ingredients: not in-your-face fresh as lemon and lime, nor tenaciously zesty as orange, it’s a happy-making scent linked to fortune and good luck in Chinese culture and reminder of happy childhood memories, for others.
Sarah McCartney of 4160 Tuesdays shared her thoughts with us on mandarin:  ‘It’s childhood Christmases for me. I’d use more of it except that citrus fruit essential oils are restricted these days, and I almost always want to get some grapefruit in there too. It has more character than sweet orange; it seems naughtier to me. It’s a special treat and it’s packed with sunshine. Oddly enough, I find that my customers describe certain synthetic fragrances as ‘fresh and natural’. Tangerine is one of the genuine natural fragrances that has the same effect. It’s light and flighty though, so it works as a top note then flits off, leaving an impression but not hanging around to be judged. Mandarin works nicely as long as you don’t mind its lack of commitment!’
And were you one of the original Aqua Manda mandarin fantatics, or a newcomer to the happily revived – by consumer demand – brand? Perhaps the iconic affordable scent of the 60s and 70s, its sweetly zingy fragrance of mandarin infused with ginger, lavender, patchouli, cinnamon, eucalyptus, tarragon and juniper berries spelled grooviness abounding, and a surge of interest in mandarin as a note in perfumery. Sunshine-y in a laid-back way, it’s the perfect note to explore for summer…
 
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Read more about mandarin and other fragrances to explore this ingredient in our dedicated Ingredients section of the website – what are some of your favourite notes – or perhaps it’s time to branch out and try something new…?
Written by Suzy Nightingale

Mint – in cocktails and scents alike, it's the coolest herb to get fresh with…

As the UK is currently experiencing something of a heatwave, we thought we should point you toward our ever-growing Ingedients Page listings, and perhaps the most deliciously refreshing of all herbal ingredients…
Used for centuries the world over to cool, soothe and refresh, mint comes into its own in the sweltering heat of a city, or to splash on while wandering the white beaches of an exotic island (and we know where we’d rather be, right now!)
As predictable as rain during Wimbledon and the entire transport system screeching to halt at every change of temperature, mint is suddenly the must-have herb – in cocktails, cuisine and scents alike.
Mint
But what other ingredients will you love to learn about, next?
Bursting with fascinating facts and hints of perfumes to try with your favourite perfumery notes in, think of them not only as a fantastic resource for learning more about raw ingredients used in perfumery – a walled-garden of fragrant knowledge, if you will – but a great way to find some new ideas to expand your fragrance wardrobe. After you have used our genius fragrance finder, FR.eD, of course!
So kick off your shoes, unbutton that shirt, and let’s get breezy
Written by Suzy Nightingale